The firm worries about its reputation when Kittredge takes a high-profile criminal case of defending a mobster leader for allegedly murdering a rival mob leader and the new D.A., Ruby Thomas, becomes...
J.R. Ewing, a Texas oil baron, uses manipulation and blackmail to achieve his ambitions, both business and personal. He often comes into conflict with his brother Bobby, his arch-enemy Cliff Barnes and his long-suffering wife Sue Ellen.
A wealthy mystery man named Charlie runs a detective agency via a speakerphone and his personal assistant, John Bosley. His detectives are three beautiful women, who end up in a variety of difficult situations.
This popular TV drama depicted life in a large Los Angeles law firm. The plots were strongly character-based and dealt with both the personal lives and professional activities of the partners, associates, and staff. Scenes centered around the courtroom and the law offices. Often, an episode would open with a surprising twist, which would then be played out during the rest of the show.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
In one episode, Kathy Bates plays a woman, whose husband is molesting her daughter, and the state won't protect her when she reports it, so she decides to take the law into her own hands. Coincidentally, this is almost the same plot as Dolores Claiborne (1995), a movie, in which she would star. See more »
L.A.Law was a standout drama from '86-'94. At the end, as many drama's have happen, it became somewhat stale and may cause many to forget the gripping storylines Bochco, Kelley etc. created. The acting was superlative from the mainstays Dysart, Rachins, Tucker, Eikenberry, Ruttan, Bernsen, Hamlin etc. As the show expanded Law brought forth additional characters played by Dey, Smits, Greene, Underwood, Donohoe, Spencer, Drake, Muldaur etc. These actors made their roles and characters as unforgettable as the originals made there's.
Probably the best thing that can be said about this show is that no one player was the focal point. No one character had to be the "lightning rod" for the show to be great. In an interview for the 100th show Richard Dysart, who played Leland McKenzie, the paternal "glue" of McKenzie, Brackman, Cheney, Kuzack, and Becker, told Jane Pauley that the actors weren't the genius of the show...the writers were. Awful high praise from an actor at a very candid moment.
Catch it in syndication on A&E each Monday thru Friday. You'll love it the second time around.
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