Michael Reynolds is a rich oncologist who has a one hundred seventy-five thousand dollar sports car, a multi-million dollar house, and a new boost in his career. Brandon "Blue" Monroe is a ... See full summary »
A simple self-destructive drifter and tough small-time boxer with a brain injury that could kill him meets and falls for a cute beach carnival owner, Ruby, but also befriends a sleazy friendly criminal, Wesley, who's planing a big score.
Chinatown, New York City. There has long been an unofficial agreement that the NYPD will leave the traditionally run Chinese triad alone to manage the crime issue in the neighborhood, the triad who is the face of organized crime of Chinatown. The triad also has an unofficial agreement with the Italian mafia, still seen as the major player in organized crime in the city, to be cooperative in a win-win situation in their illegal activities. However, the Chinese youth gangs are disregarding these unofficial agreements, being another violent player in the crime scene in Chinatown, they who take a stand by killing Jackie Wong, the head of the triad. To deal with the matter, the NYPD reassign Captain Stanley White from Brooklyn to Chinatown. Stanley, of Polish heritage, is not averse to slinging slurs toward his adversaries, most of those of a racial nature. This reassignment will not help the already deteriorating marriage he has to his long suffering wife, Connie. While Stanley is ...Written by
In his audio commentary, Cimino says, "The studio loved the movie. In fact, they begged the producer to make it their Christmas movie. And they were right, because they needed time to educate the audience on the subject. Like when Lawrence of Arabia (1962) was made, nobody in the heartland knew who Lawrence was. But they were educated by the studios so they'd be interested when the movie came out. While our movie was a big hit abroad, and it was very popular in New York and LA, it was a bit soft in the middle of the country. That's what the studio kept saying, 'we need time to work that,' and of course the producers were in such a hurry to make their money back that they shot themselves in the foot." See more »
The first time Stanley is shown on screen his hair is gray and white all over. The next time Stanley is shown in the police station his hair is brown with gray only visible on his temples. In other scenes of the film his hair changes color from gray/white to brown with graying at the temples. See more »
Captain McKenna, any leads in the murder of Jackie Wong?
Nothing at this time.
Do you think this killing means there's some kind of war going on in the Chinatown Tongs?
No, I don't. This is basically a situation where the youth gangs are lashing out at the establishment. The community is cooperating. The situation's under control.
See more »
The end credits roll over a squeezed image of the Chinese woman restaurant-singer crooning a Chinese easy-listening ditty. See more »
Uphill (Peace Of Mind)
By Frederick Knight
Irving Music, Inc., Two-Knight Music
Arrangement and Keyboards by Marcus Barone
Produced by Raul Rodriguez
Performed by C.O.D.
Courtesy of Emergency Records, Inc. See more »
Absolutely blistering cop film. An underrated classic.
Michael Cimino's Year Of The Dragon is a visceral blast of pure Americana as only the man could bring us. It kills me that he suffered through that whole Heaven's Gate fiasco (which is actually a really good movie, but that's another story and argument entirely) because it extinguished any hopes of him making future films, and in doing so the studios effectively committed genocide against their own. Sure the guy was crazy as hell, but damn could he ever make a great film. This one is one of the most criminally overlooked cop flicks of all time, partly due to Cimino's scorching direction and partly due to a a performance of monolithic grittiness from Mickey Rourke as Captain Stanley White, the cop who won't stop. White is fresh out of Nam and mad as hell, launching a unilateral crusade of racist violence and self righteous fury against the Chinese crime syndicate in New York City, particularly a young upstart in their organization named Joey Thai (John Lone). Thai is as ruthless as White is determined, and the two clash in ugly spectacle, causing leagues of collateral damage on either side and inciting them both to roar towards an inevitable, bloody conclusion. Thai's elderly superiors warn him of men like White, men who are fuelled purely by anger, bitterness and nothing else, smelling the fire and brimstone in the air and wisely stepping out of the way. Thai is of a younger, more petulant generation and foolishly decides to meet the beast head on by essentially kicking the hornet's nest. White is warned by his caring wife (Caroline Kava) and fellow cop and friend Lou (Raymond J. Barry is excellent, firing Rourke up further with his work) not to mess with such a dangerous crowd. He has a volatile relationship with a beautiful Chinese American reporter (Arianne is the only weak link in the acting chain) who puts herself on the line for him by digging around in dangerous corners. The intensity level of this film is something straight from the adrenal gland; even in episodic scenes of introspect we feel the hum of the character's emotions, and when the conflict starts again, which it does in fast and furious amounts, the actors are simply in overdrive. Rourke has never been better than he was in the 80's, it was just his zenith of power. This isn't a role that gets a lot of recognition, but along with Angel Heart, Rumble Fish and Pope Of Greenwich Village, I think it's his best. He puts so much of himself into Stanley White that the edges which separate performer from performance begin to blur and waver, until we are locked into his work on a level that goes beyond passive consumption of art and elicits something reflective in us. Not to sound too hippie dippy about it, but the guy is just that good. On the calmer side of the coin, John Lone brings both evil and elegance to Joey, a slick surface charm that's constantly disturbed by Rourke's hostility, leading to an eventual meltdown that's very cool to see in Lone's expert hands. This is one for the ages and should be in the same pantheon with all timers like Heat, Serpico, The French Connection and others. Rourke fires on all cylinders, as do his colleagues of the craft, and Cimino sits cackling at the switchboard with a mad calm, yanking all the right levers in a frenzy of unhinged genius. Not to be missed.
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