A TV reporter and cameraman are taken hostage on a tugboat while covering a workers strike. The demands of the hostage-takers are to collect all the nuclear detonators in the Charleston, SC... See full summary »
With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed from their romantic memories of World War II.Written by
Andy Bogursky <firstname.lastname@example.org>
At the beginning of the scene in which Jim and Hilda are bedridden, Hilda's feet are missing for a few frames as the camera pans across. See more »
Well, you can't expect things to be normal after the bomb. Difficulties will be experienced throughout the duration of the emergency period. Normality will only be assumed after the cessation of hostilities.
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After the end credits, Morse code can be heard in the background. The code, when translated, means "MAD". MAD is an abbreviation for the term "Mutually Assured Destruction". See more »
A classic little cartoon of hugely disturbing proportions
I remember when this was released in the cinemas in 1986 in the UK. It had a fairly small release, yet attracted a lot of publicity. I didn't see it till it was on TV one Christmas - not the right time to show such a film. I was still only eleven or twelve and found it far more disturbing than any Nightmare On Elm Street, Poltergeist or American Werewolf that I'd seen. The fact that the couple are so naive and innocent along with the sweet, old-fashioned comic-book style animation really manipulates the viewer so cleverly, that when the bomb hits and the true tone of the film reveals itself, the viewer is caught off guard just like the innocent couple are. You are plunged into the dark, deathly tone of the storyline and compelled to watch in the hope that this sweet couple will survive, whilst at the back of your mind, always knowing that they have little time left. It still has the same effect now on a third or fourth watching. It's so disturbing to see, yet something so compelling that you cannot turn away or turn off. As an historical piece of eighties cold war/anti-nuclear protest filmmaking, this is a timeless film that should be studied as part of history education when it comes to the 2080's and the world looks back a hundred years on a part of the 1980's that weren't so optimistic. This is a unique film that stands alone in terms of animation and stands out from all the typically optimistic, big and bright blockbusters of the eighties.
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