Jimmy Lynch is angry because his older brother, who was injured as a result of an off duty fire rescue, is denied benefits by the city. At the same time, Mayor Tyler is embroiled in a ...
See full summary »
Apprentice lawyer Robin Weathers turns a civil suit into a headline grabbing charade. He must re-examine his scruples after his shenanigans win him a promotion in his firm, and he must now ... See full summary »
A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
Young Danny is following his rich girlfriend's family to the Caribbean. But suddenly he simply must take a chemistry test and cannot go with them. After they have left, he gets a leave from... See full summary »
A Sergeant must deal with his desires to save the lives of young soldiers being sent to Vietnam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old Army buddy.
Francis Ford Coppola
James Earl Jones
Jimmy Lynch is angry because his older brother, who was injured as a result of an off duty fire rescue, is denied benefits by the city. At the same time, Mayor Tyler is embroiled in a political scandal that he denies all previous knowledge of. Jimmy begins painting "Tyler Knew, Turk 182" as an embarrassment to the mayor. The mayor is furious at this grafitti appearing all over the city and orders the police to find the artist. Jimmy's "Turk 182" spraypaints continue to appear.Written by
John Vogel <firstname.lastname@example.org>
Jimmy Lynch's (Timothy Hutton)'s "Turk 182" alter-ego persona name was derived from the nickname and Badge No. #182 of the character's firefighter brother Terry Lynch (Robert Urich). See more »
At the start when the firemen blast Terry Lynch out of the burning window, you can see the wig come off the stuntman as he falls toward the parked car and after he hits the car, you can see it again. See more »
[after Turk has broken into the mayor's office]
Why, officer Callahan. What a pleasant surprise. So glad you could make it. Where the hell were you?
Callahan the Cop:
There was a fire in the bathroom.
A fire in the bathroom. You leave the mayor's office unguarded for a fire in the bathroom? Jesus Christ, Callahan. That trick's in my kid's commando game! You'd better get yourself a new pair of shoes, Callahan.
Callahan the Cop:
I'm... gonna be... doing a lot of walking?
Smart man. Have a nice day.
See more »
Turk 182! is one of those films that doesn't explain itself. The plot is explained, but the culture and backdrop are not: New York City is presented in all its glory, as the bureaucracy and the politicians who run it are pitted against an injured firefighter (Robert Urich) and his graffiti-artist-turned-political-activist brother (Timothy Hutton), who ensures that neither the Mayor nor the city forget the name "Turk 182!" Kim Cattral appears as Hutton's sidekick/love-interest, and sidecar passenger in his motorcycle, in a role far more "sexier in the city" than anything she turned out in her HBO series. Notables in the remainder of the cast include Robert Culp as the over-the-top mayor who wants to regain control over the "vandalism," and Paul Sorvino in a highly amusing cameo involving the abuse of the Giants' Stadium scoreboard.
In this movie, Turk's brother was injured off-duty while saving the lives of some children during a fire. Since he was drunk at the time, the city refuses to pay his medical expenses, and Turk's activism is born. Like any good graffiti artist, Turk leaves his mark anywhere and everywhere, while eluding law enforcement. As one who was a teenager living in New York City in the 1980s, and who knew several serious graffiti artists, I can say that while the movie was a sanitized version of what they do, they got enough of the flavor of that culture to show its power when confronted with an injustice.
If you've never been to New York, or if you are there now but weren't in the 1980s, the movie is an excellent period piece that will reveal a great deal about the city through its backdrop and subplots, many of which were as or far more interesting than the main plot. New Yorkers generally don't care about anything that doesn't affect them, but when they do, the city literally grinds to a halt, as do the New York politicians who follow their lead.
With so few movies reflecting New York City so accurately, this one is definitely worth watching, and the story it tells, however simplistic and over-the-top in its execution, is still worth telling occasionally in yet another form. This is a very intriguing film.
8 of 8 people found this review helpful.
Was this review helpful to you?
| Report this