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Tokyo-Ga (1985)

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Moved by the work of director Yasujirô Ozu, Wim Wenders travels to Japan in search of the Tokyo seen in Ozu's films.

Director:

Wim Wenders

Writer:

Wim Wenders
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Cast

Complete credited cast:
Chishû Ryû ... Himself
Werner Herzog ... Himself
Yûharu Atsuta Yûharu Atsuta ... Himself
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Storyline

Wim Wenders travels to Japan in search of the Tokyo seen in the films of Yasujirô Ozu. Ozu's own Tokyo Story (1953) is a helpful (but not mandatory) pre-requisite to seeing Tokyo-Ga (1985). Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

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Details

Country:

USA | West Germany

Language:

English | Japanese | German

Release Date:

26 April 1985 (USA) See more »

Also Known As:

Tokio-Ga See more »

Filming Locations:

Japan See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Quotes

Wim Wenders: Tokyo was like a dream and today, my own images appear to me as if they were invented. Like when, after a long time, you find a slip of paper on which you once had scribbled down a dream on the first light of dawn. You read it in amazement and you don't recognize a thing as if it were someone else's dream.
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Connections

References Sans Soleil (1983) See more »

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User Reviews

 
hit-and-miss video travelogue
1 June 2008 | by CountZero313See all my reviews

Wim Wenders attempts to turn his first trip to Japan into a homage to Ozu and an exploration of Japanese modernity, contrasted with the images of a bygone era glimpsed in Tokyo Monogatari.

This is a deeply personal film, an unabashed pilgrimage by Wenders in search of his muse. His rambling narration, impenetrable at times, offers little insight on Japan. What first-time visitor can encapsulate a city as complex as Tokyo? The film works better on the subject of Ozu, the interviews with actor Chishu Ryu and cinematographer Yuuharu Atsuta offering glimpses of Ozu the man behind the icon. They also reveal the affecting power of cinema, both men clearly humbled and moved by the experience of collaborating with Ozu. The bottom line, however, is that this is a film about Wim Wenders, about his nascent stage as a filmmaker and how that came to fruition in the way it did. Fans of Wenders, rather than Ozu or Japanophiles, are the audience for this film.

Technically the film offers up a few gifts, the prime example being a glimpse of the craftsmanship that goes into the making of the ubiquitous wax food in restaurant display windows. Unlike the weekend rockabilly dancers, crowded commuter trains, or oppressive concrete and steel structures, this sequence brings something both long-term residents and those ignorant of Japan will find fresh and illuminating. Unfortunately, elsewhere the film is interspersed with interminable footage of being in a taxi, being in a train, men hitting golf balls... all protracted shots for no other reason than to add a touch of Ozu to the film. A funky, slightly disturbing score helps make these sequences bearable.

Tokyo-Ga is recommended for Wenders fans, and perhaps as nostalgia for anyone who spent a brief time in Japan in the mid-Eighties.


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