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To Live and Die in L.A. (1985)

A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.

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(novel), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
... Richard Chance (as William L. Petersen)
... Eric Masters
... John Vukovich
... Bianca Torres
... Carl Cody
... Ruth Lanier (as Darlanne Fleugel)
... Bob Grimes
... Jeff Rice
... Thomas Bateman (as Robert Downey)
... Jim Hart
... Max Waxman
Jack Hoar ... Jack
... Judge Filo Cedillo (as Val DeVargas)
... Doctor
... Thomas Ling
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Storyline

Working largely in cases of counterfeiting, LA based Secret Service agent Richie Chance exhibits reckless behavior which according to his longtime and now former partner Jimmy Hart will probably land him in the morgue before he's ready to retire. That need for the thrill manifests itself in his personal life by his love of base jumping. Professionally, it is demonstrated by the fact that he is sextorting a parolee named Ruth Lanier, who feeds him information in return for him not sending her back to prison for some trumped up parole violation. With his new partner John Vukovich, Chance is more determined than ever, based on recent circumstances, to nab known longtime counterfeiter Ric Masters, who is more than willing to use violence against and kill anyone who crosses him. Masters is well aware that the Secret Service is after him. Masters' operation is somewhat outwardly in disarray, with Chance being able to nab his mule, Carl Cody, in the course of moving some of the fake money, ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A federal agent is dead. A killer is loose. And the City of Angels is about to explode. See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

| |

Release Date:

1 November 1985 (USA)  »

Also Known As:

Vivir y morir en Los Ángeles  »

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$3,551,761, 1 November 1985

Gross USA:

$17,307,019
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Like Dennis Hopper's Colors (1988), the film was shot in gang territory: Temple Street and 18th Street, the Nickerson Gardens Project in Watts, MacArthur Park, Slauson Avenue in South Central and the Boyle Heights Section of East Los Angeles. See more »

Goofs

The opening scene says December 20 at 1410 hours (2:10 p.m), which is about two hours before the shortest day of the year, yet the shadows and the sun's position makes it more like noon in the summertime. See more »

Quotes

Eric 'Rick' Masters: You have my word you won't have to do the whole nickel.
Carl Cody: What does that mean?
Eric 'Rick' Masters: Grimes is the best lawyer in the state. It'll either be an appeal bond or a sentence reduction.
Carl Cody: And the check is in the mail, and I love you, and I promise not to come in your mouth...
See more »

Crazy Credits

Right at the end, after the credits, there is a shot of William Petersen's face See more »

Connections

Referenced in The Big Hit (1998) See more »

Soundtracks

Wake Up, Stop Dreaming
Performed by Wang Chung
Produced by Wang Chung
Assisted by David Motion
Courtesy of Geffen Records
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User Reviews

 
Shamefully misunderstood by the critics
29 April 1999 | by See all my reviews

One of the very best films of the 1980s this was shamefully neglected and misunderstood by the critics. The problem is: on the surface it's just like an ordinary action crime thriller (and thus won't appeal to the arthouse crowd), except that it makes it difficult to identify yourself with any of the characters. In other words: it violates its genre rules. But this very fact makes it so unpredictable and thrilling, and a proper movie as opposed to a mere genre clone.

The good guys are flawed. This isn't really new, since the mid 1960s there were plenty of flawed heroes in Westerns or police thrillers. The difference is that not only their characters are flawed, they are vulnerable, destructible, they make mistakes. And they pay for their mistakes. Similarly the villains: yes, they are formidable and glamorous, but they are not in the league of the Blofelds or Sentenzas of moviedom. They make mistakes too. And they pay too.

A surprising asset is the film music by Wang Chung, a one-hit-wonder pop obscurity of the era. Their sound perfectly melts with the cinematography, especially in the stylish opening sequence.


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