The internet is the world's largest confessional - from online communities and message boards to chat rooms and web forums (think Reddit), the internet is a communal vault for our biggest ... See full summary »
Jonathan Daniel Brown,
Dramatic doomsday scenario in which the Cold War fully escalates. The story is told through a live news report that follows the apocalyptic world-ending nuclear exchange between the U.S.A. and the U.S.S.R.
The world after the nuclear apocalypse. Pale light lits the scenery of total destruction. The surviving humans vegetate in wet cellars under the nuclear winter. But somehow human spirit ... See full summary »
A TV reporter and cameraman are taken hostage on a tugboat while covering a workers strike. The demands of the hostage-takers are to collect all the nuclear detonators in the Charleston, SC... See full summary »
A non-NATO nuclear missile is fired from Turkey at USSR, where it detonates. Soviet response is automatic as it's seen as a NATO missile. Can continued escalation be avoided? We follow the US president and a bomber crew.
Rebecca De Mornay,
James Earl Jones
Fashion is considered a glamorous industry full of beautiful people. "Garmento" tells the other side of the story, with a dark and satirical look at New York's wholesale garment industry, ... See full summary »
Documentary style account of a nuclear holocaust and its effect on the working class city of Sheffield, England; and the eventual long running effects of nuclear war on civilization.Written by
Often referred to as Britain's answer to The Day After (1983). On the Special Edition commentary, Mike Jackson says that he considers abandoning work on Threads when he heard that there was another nuclear-war film but, on viewing the film, he decided that The Day After did not capture nuclear war well and that he could continue with Threads. See more »
There is a scene in which rations are to be cut to just 500 calories in which one character swears at the loss of the food that he used to enjoy, yet the characters are clearly not underweight. See more »
The version occasionally shown on BBC Documentary is quite heavily edited and is missing about 15 minutes of footage. (Spoilers Below!)
A brief scene showing Jimmy Kemp and his girlfriend watching a military convoy pass by through a steamy car window.
During the firestorm sequence a number of more graphic images are removed, such as fluid (blood?) bubbling up from rubble, shots of a cat suffocating, close-ups of a charred head, and a hand with burning fingers.
A sequence when we first see how badly Mrs Kemp has been burned, as she wimpers when Mr. Kemp tries to dab her wounds with a cloth.
Mr. Kemp going to get water for Mrs. Kemp, trying a destroyed sink first, then trying water running off some wood which he spits out.
Ruths' walk through devistated Sheffield, where she comes across a man playing with melted action figures, many burned and disfigured corpses and a lady cradling a dead baby.
Much of the scene at the hospital is missing, including the removal of glass from festering wounds from a child and a man having his leg amputated by saw without anesthetic.
The soldiers collecting the tins after they catch the killers of Mr. and Mrs. Beckett, including the line "I fucking hate prawn cocktail!"
Written by Richard Strauss
[Opening bars of music for spider web and title is from beginning of Richard Strauss composition 'Alpine Symphony'] See more »
Saw it again recently and it STILL packs a killer punch.
I was about eleven or twelve when this harrowing made-for-TV docu-drama was repeated by the BBC, back to back with 'The War Game'. 'The War Game' didn't faze me much, for various reasons, but 'Threads' - that grabbed me instantly and wouldn't let go. It was not only horribly real, seeing a lower-middle class family rather like my own suddenly plunged back into the dark ages by a nuclear holocaust, it was also entirely believable (the cold war was still very much an ongoing concern back in the eighties) and shockingly compelling. I wanted to look away, but couldn't. I wanted to run from the room in fright, but couldn't. For better or worse, this film showed in full, unflinching, uncompromising detail exactly what it would be like if your home town got nuked, and gave us graphic realism in spades. Melting milk-bottles, spontaneous urination, houses reduced to rubble in seconds, burning cats, dead kids, gore, vomit, armed traffic wardens shooting looters, filth, decay, disease...it's certainly not a barrel of laughs, but Mick Jackson's aim was to shut up all the ignorant gung-hos who believed a nuclear war could be "won". He succeeded, unequivocally. The scene that made the deepest impact on me was the ravaged makeshift classroom with a ragged bunch of shell-shocked adults dazedly watching an ancient videotape of a schools programme (Words and Pictures, in fact) in an attempt to regain their numeracy and literacy skills. That was a show we used to watch at school. Work it out for yourself. In short, this is a downbeat, depressing, bleak and utterly horrible film, but I recommend it wholeheartedly to everyone. The cold war may be gone, but the threats portrayed are still very real.
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