An unconventional cop who doesn't take any bull, is paired up with an amazing detective to capture some powerful criminals but the cop soon realizes that his by the book partner has split personality disorder.
Los Angeles private investigator Harry Moseby is hired by a client to find her runaway teenage daughter. Moseby tracks the daughter down, only to stumble upon something much more intriguing and sinister .
Chris Lloyd does NOT get along with his father Walter. Walter is too careful, cautious, and boring to Chris, and never tries anything new, and Chris had to live by the same standards when he was growing up. But when his mother is kidnapped while in Europe, to Chris's confusion, Walter suddenly turns into a man of action. Just who is his father anyway.Written by
Brian W Martz <B.Martz@Genie.com>
Nothing exciting ever happened in Chris' family. But within 48 hours, his mother will be kidnapped, His father will be forced to reveal a secret past and he will find himself at the center of an adventure he never dreamed could happen to him. [US Theatrical] See more »
From 1985: "Target," directed by Arthur Penn, stars Gene Hackman and Matt Dillon as father and son.
"Target" concerns the abduction of Walter Lloyd's (Hackman) wife while she is in France with a tour group. Lloyd understands the implications immediately, but his son Chris (Matt Dillon) doesn't: Someone is after Lloyd, or information in his possession. Father and son leave immediately for Europe to find her. There, Chris learns information about his father that he never knew. And that's all I can say without giving the game away - which, if you've seen a lot of these films, is pretty apparent.
The problem with "Target" is in the beginning of the film, which has a TV-movie feel to it. Plus, despite locations in Paris and Germany later on, the beginning has a cheap feel to it due to the music and credits, not to mention some trite dialogue and the usual "try to get to know your son while I'm away" speech. It's a bad set-up.
Gene Hackman is terrific as Walter, and Matt Dillon is fine as his son. The standout performance, in my opinion, is by the great acting guru and Broadway star Herbert Berghof in a rare film appearance toward the end of the movie. There are some excellent European actors as well, including the Russian actress Viktoriya Fyodorova.
If not for the beginning, which threw me off, this would have been a better film.
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