An unconventional cop who doesn't take any bull, is paired up with an amazing detective to capture some powerful criminals but the cop soon realizes that his by the book partner has split personality disorder.
Chris Lloyd does NOT get along with his father Walter. Walter is too careful, cautious, and boring to Chris, and never tries anything new, and Chris had to live by the same standards when he was growing up. But when his mother is kidnapped while in Europe, to Chris's confusion, Walter suddenly turns into a man of action. Just who is his father anyway.Written by
Brian W Martz <B.Martz@Genie.com>
When Chris leaves the US embassy in Berlin, he takes a mercedes cab. He does not change cabs but the used cars change several times and one of them has even French registration plates. See more »
They gave us new papers, new jobs, new names. The works... everything.
Oh, Oh. Wait a minute. We were at the hotel and Taber asked you, "What name?" This is not my name? What's my name?
Derek, Derek Potter. I'm Duncan. This is where the "Duke" comes from.
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The concentration on character and family values in Arthur Penn's spy thriller ought to make it a better, more intelligent movie, but somehow it doesn't work. Gene Hackman is an ex-CIA spy who's been "in from the cold" for 15 years. But now his wife has been kidnapped in Paris, and he has to get back into top gear in order to retrieve her. He also has to tell the truth about his past to his 18 year old son (Matt Dillon), who hitherto has thought his dad as much a man of action as Mr Magoo. There are all the contrivances we expect in this genre of film - repeated attempts on Hackman's life; car chases; femmes fatales; CIA agents who might be working for the other side; etc, etc. But little tension is developed, and first the recriminations and then the bonding between Hackman and Dillon simply slow the action down. I found the climax a tad ludicrous, but by that time didn't care much.
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