Gilbert Ivy and his wife Jewell are farmers. They seem to be working against the odds, producing no financial surplus. Gilbert has lost hope of ever becoming prosperous, but his wife ... See full summary »
Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and ... See full summary »
A mother of two sons finds life considerably difficult on her own after the death of her beloved husband. Due to debt she must move them to Baltimore, and deal with the hardships and all ... See full summary »
Oregon, 1980: Jane, Elaine and Louise are all feeling the effects of inflation and cannot afford, as the title states, the high cost of living. Jane cannot afford a babysitter or get ... See full summary »
Susan Saint James,
Biographical story of Loretta Lynn, a legendary country singer that came from poverty to worldwide fame. She rose from humble beginnings in Kentucky to superstardom and changing the sound and style of country music forever.
Patsy Cline was the first female solo artist to be elected to the Country Music Hall of Fame. Thirty-two years after her untimely death in a plane crash in Tennessee, her "Greatest Hits" album sold over six million copies. Loved by her fans today as much - if not more - than she was at the height of her fame, the life, the loves and most of all the voice of Patsy Cline is legendary. This film tells the story of the passionate, fun-loving, soft-spoken, loud-living life of one of country music's - and one of popular music's - greatest singing stars. This film covers the years 1956 through 1963, from her rise to fame and the top of the charts through TB talent shows and country bars - through her turbulent marriage to Charlie Dick and the demands of touring which would lead to the fatal plane crash.Written by
HBO Home Video
I'm Afraid the Masquerade Is Over
Written by Herb Magidson and Allie Wrubel
Performed by The Harptones
Published by Magdson Music Co. Inc./Allison's Music Co. Inc./
Chappell and Co. Inc.
Courtesy of Roulette Records Inc. See more »
I just watching Sweet Dreams again and am still happy to see good acting. God knows that in today's market good acting - in the caliber of Jessica Lange - and good scripts and high production values are sorely missing so it's always a treat when all one has to do is pull out the DVD, sit back, and enjoy. I've read other posts about this film and can only say that the producer's approach to the singer was what the picture needed. Perhaps Miss Clines early singing and rise in country music was just too mundane or had been done too much before to make this story work. I liked his approach which dealt only with her close relationship with her husband, Charlie Dick. Needless to say but both Jessica Lange and the always dependable Ed Harris did an excellent job with their roles and we got carried away with their love affair. Sure, he was an abusive husband and probably a woman chaser but then Patsy Cline was no saint herself and as she pointed out in the film she and Charlie deserved each other. She thought they made an excellent pair. Naturally Hollywood glamorized their relationship as this was a romantic film. Some posters have pointed out that they found fault with Miss Lange having to lip-sync Patsy Clines original recordings but I found that refreshing as, after all, the story was about Patsy Cline and not about some talented amateur actress. And as for lip-sync, one of the biggest Hollywood stars of the 40's did just that. Rita Hayworth's actual voice was never used in her musicals, and she and her studio built her reputation on musicals, but she pulled in huge audiences who loved to look at this glamorous woman (not)singing in Tonight and Every Night, Down to Earth and the 20th Century Fox musical My Gal Sal. No one cared that she didn't sing. Ann Blyth who was an excellent soprano was engaged by MGM for their version of The Helen Morgan Story but used Gogi Grant's voice, why? because at that moment in time Miss Grant was a popular recording artist. What made that experiment misfire was that Helen Morgan was closer to Ann Blyth's voice. Ava Gardner made quite a few musicals where her voice was dubbed, she didn't like the process and refused to do anymore musicals where she couldn't use her own voice; she refused The Helen Morgan Story. It's nice that some screen actresses think that their voices are professional enough to get by in films but after looking at these films one has to concede that a true professional voice was the way to go. an good example of this is I'll Cry Tomorrow starring Susan Hayward, Miss Hayward insisted on using her own voice in the MGM film and although her acting was top notch, which was expected, she still sounded like the amateur she was. That film could have used a good professional voice. Anyway, I thought that Jessica Lange did an outstanding job as an actress in Sweet Dreams but was glad to hear Patsy Cline's voice. This technique was used to advantage in Piaf: The Early Years, you got to see a good story with a good actress but you also got to hear the glorious singing from the world renowned singer. It's like getting two for one. Sweet Dreams deserved more than it got by reviewers and audiences. A film that did exactly what it set out to do. Worth watching again, and again.
5 of 6 people found this review helpful.
Was this review helpful to you?
| Report this