Critic Reviews



Based on 14 critic reviews provided by Metacritic.com
This movie is more sophisticated and complicated than the Westerns of my childhood, and it is certainly better looking and better acted.
The New York Times
Silverado is sufficiently modern to make its landscapes bigger, its people smaller and its moral polarities less powerfully distinct than those of simpler, more starkly beautiful westerns gone by.
Rather than relying on legendary heroes of Westerns past, writer-director Lawrence Kasdan with his brother Mark have used their special talent to create a slew of human scale characters against a dramatic backdrop borrowing from all the conventions of the genre.
Engrossing western which inspired a huge genre revivial.
It's best when the carefully chosen cast throws itself into developing characters and building their relationships. When pure storytelling takes over after an hour or so, the picture becomes less original and engaging.
Between the gratuitous climaxes that seem to occur every 10 minutes, Kasdan parades a myriad of stereotypes before us and never develops them. In fact, he never really explores any of his characters but only provides them with enough motivation to justify the slaughter of dozens of people.
Boston Globe
Silverado plays like a big-budget regurgitation of old Westerns. Whatkeeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes. [10 Jul 1985, p.26]
Chicago Tribune
Silverado is a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full-scale western revival. [10 Jul 1985, p.5]
Agreeable but never compelling, Silverado proves it takes more than love of the western to make a good one. Maybe the dudes at K-Tell were a mite too slick for the job.
Chicago Reader
This 1985 western does a decent job of developing some dry 80s humor without completely undermining the genre, yet Kasdan's considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title--the action turns choppy, confused, and arbitrary.

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