A hardened convict and a younger prisoner escape from a brutal prison in the middle of winter only to find themselves on an out-of-control train with a female railway worker while being pursued by the vengeful head of security.Written by
Keith Loh <email@example.com>
Prior to the train crashing through the wall, we see a head-on view from the locomotive. Looking over to the right, you'll see a group of people (possibly the crew and cameraman) amassed by the wall, waiting to see this destructive stunt occur. See more »
I can last nine more months for an appeal. I can stand on my head nine months
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The DVD mysteriously edits out the shot of the first helicopter policeman being run over by the wheels of the train. You see him crash into the train windshield and see him fall off, but then you see just a plain shot of the wheels. In all other versions of the film on video and laserdisc have a shot of this man's face coming right at the camera as his body is run over by the wheels of the train. Even the US TV version has a brief shot of this. This shot is present in the UK Arrow Films DVD release. See more »
Voight should have won the Oscar for that monologue alone
I remember watching this as a kid and thinking it was an incredibly powerful film, but i forgot how strong the performances are, particularly Voight's. Roberts is good, but he's basically playing second fiddle to Voight's hulking, frightening, feral, almost mythical Manny, a con so dangerous the warden has kept him in solitary confinement for three years straight.
Roberts is a younger convict who idolizes Manny and helps him escape from the Alaskan prison where they both reside. they end up on a train barrelling down the tracks at 90mph with no conductor and no way to stop it. The film is based on a screenplay by the legendary Akira Kurasawa.
Great action scenes. Muscular film-making. It just seems they don't make films like this anymore. Films that aren't trying to pander to a certain demographic. This is lean, mean action all the way.
And that "little biddy spot" monologue Voight has halfway through the film is really breathtaking. He should have won an Oscar for that alone.
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