When asked by his boss' wife to take care of her son, Andrea takes the chance to curry favor with the boss although it's his birthday, but his friends will put on a wild party for him which will devastate the rich woman's house.
Intent on seeing the Cahulawassee River before it's dammed and turned into a lake, outdoor fanatic Lewis Medlock takes his friends on a canoeing trip they'll never forget into the dangerous American back-country.
Agents of an oil tycoon vanish while exploring a swamp marked for drilling. The local sheriff investigates and faces a Seminole legend come to life: Man-Thing, a shambling swamp-monster whose touch burns those who feel fear.
Matthew Le Nevez,
Following the suicide of an elderly Jewish man, a journalist in possession of the man's diary investigates the alleged sighting of a former S.S. Captain, who commanded a concentration camp during World War II.
The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A... See full summary »
Follows three people whose paths cross during a terrible time of war: Olga, a Russian aristocratic emigrant and member of the French Resistance; Jules, a French collaborator; and Helmut, a high-ranking German SS officer.
A High powered NY litigator, hired to defend a murderer who avenged his young son's death, struggles with his own desires for success versus the moral wishes of his client to choose the ... See full summary »
A hardened convict and a younger prisoner escape from a brutal prison in the middle of winter only to find themselves on an out-of-control train with a female railway worker while being pursued by the vengeful head of security.Written by
Keith Loh <firstname.lastname@example.org>
One of several American films that Russian Director Andrey Konchalovskiy made for The Cannon Group, Inc./Golan-Globus Productions during the 1980s. See more »
When the prison guard from the helicopter falls off the train after crashing through the window, his goggles are missing and his face is covered with blood. In the next shot, showing him getting run over by the train, he is wearing the goggles and the blood on his face has disappeared. See more »
[after Buck convinces him to take Buck with him during the escape, while rubbing himself with axle grease]
Son of a bitch. Okay, fool, Get your clothes off and grease down.
See more »
The DVD mysteriously edits out the shot of the first helicopter policeman being run over by the wheels of the train. You see him crash into the train windshield and see him fall off, but then you see just a plain shot of the wheels. In all other versions of the film on video and laserdisc have a shot of this man's face coming right at the camera as his body is run over by the wheels of the train. Even the US TV version has a brief shot of this. This shot is present in the UK Arrow Films DVD release. See more »
Gloria in D Major
by Antonio Vivaldi (as Vivaldi)
Performed by The USSR Academic Russian Chorus and the Moscow Conservatoire Students Orchestra See more »
Everything about this film has a surreal, visceral, in-your-face quality; the anguished, violent intensity of the prison scenes, the frozen wastelands of the lands outside the prison (gee, a metaphor?), the train -- not just a lifeless machine but a huge, juggernaut-like beast -- that the title refers to, the fierce, animalistic performance by Jon Voight, who plays the character of Manny with such raw emotion and conviction that at no moment do we doubt that he is anything other than what he appears to be on screen.
It's based on a screenplay by the legendary Akira Kurosawa -- knowing this makes a lot of the elements a bit more familiar; the snow, the hopelessness, the apocalyptic atmosphere -- and it's directed by Russian Andrei Konchalovsky, who after this film directed two Hollywood embarrassments called "Homer & Eddie" and "Tango & Cash" (apparently trying to corner the market on ampersands), and most recently helmed the acclaimed Armand Assante mini-series "The Odyssey" for television. "Runaway Train" is not a perfect film, some of the minor supporting performances are really awful and some viewers may find Eric Roberts to be irritating, but the sheer kineticism, among the other stronger elements, makes it worthwhile. Often called an intellectual action picture, it's more of an existential one, i.e. man versus a indifferent/hostile universe, etc. Everything in the film has a greater, more universal meaning, and it's not rocket science to figure out what stands for what. The simplicity of its metaphors doesn't dull the impact of "Runaway Train" as a sensory experience, though, because it's still pretty potent stuff. Provided you're not completely close-minded, this is one you'll remember for a long, long time.
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