Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
The film's German title is "Verdammt, die Zombies kommen", which is roughly "Damnit, the Zombies Are Coming" and the Danish title is "Ligene er ligeglade" which is roughly "The Dead Don't Care" - playing up the comical aspect of the film. See more »
When the Tar man kills Suicide and the Half zombie kills Skuz they do not reanimate like Trash does. See more »
Hey, is that Freddy?
Over there, going into that building.
No. That is NOT Freddy.
How would you know?
Because, why would Freddy be going into a mortuary?
See more »
The following phony disclaimer precedes the movie: "The events portrayed in this film are all true. The names are real names of real people and real organizations." See more »
I love this film to living death ... Every actor got the right part, and they all got the part right. High camp, higher parody, positively hilarious scenes so well set up that a mere facial gesture delivers the punchline, sometimes only a few beats of music delivers. In the midst of all this ripping off of Romero's "Night of the Living Dead", it borders on worship of its inspiration. Pathos holds hands with hilarity, genuinely creepy scenes bleed into high gear humor. I haven't found a misstep. There is a high quotient of "Oh s**t" scenes and they all work. The undraped Quigley is neither gratuitous or prurient; just imagine the movie without her character; loses much. This is a delicious, feverish living dead romp that plays out to one crackerjack musical score. Everything meshes, everything works. How do you fault a film that gets it all right? This title will survive a long long time.
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