Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains.Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
The character Ernie (Don Calfa) is thought to be a Nazi due to him sharing his name with Ernst Kaltenbrunner. There are also character details that provide an indication of his past: Ernie listens to the German Afrika Corps march song "Panzer rollen in Afrika vor" on his Walkman while he embalms bodies, carries a German Walther P38, has a picture of Eva Braun in his morgue, refers to the rainstorm coming down like "Ein Betrunken Soldat" (which means "A Drunk Soldier" in German), really knows his way around a crematorium, and seems surprised and ashamed when he learns that the dead can feel pain. Dan O'Bannon, in the DVD commentary, mentions that Ernie was intended to be an escaped Nazi in hiding. See more »
The radio dispatcher states "We have a 10-32 from E.M.S." "...Request a 10-51 Code 3..." The official Police 10-Codes defines a "10-32" code as a "Man with gun", a "10-51" code as "Wrecker needed" and a "Code 3" as "Emergency lights and siren". The Code 3 reference was the only correctly-used code. See more »
Gee... And now you made me hurt myself again! You made me break my hand completely off this time Tina! But I don't care Darlin', because I love you, and you've got to let me EAT YOUR BRAAAAAAAAAAAIIIIIIIIIIIINS! WHERE ARE YOU!
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The credits play over the hilarious scenes of the movie that involve Frank and Freddy. See more »
Some more additional material in the "Workprint" version:
Extended footage of Ernie preparing the corpse (inserting a set of clamps, putting a rubber block under its chin, applying makeup, stapling its face)
Instead of calling Casey "Ballbuster," Suicide calls her "Chocolate Face" (presumably a reference to the chocolate bar she is eating earlier in the movie).
Trash, wandering by herself in the graveyard and crying, says "Hey wait, you guys, I ain't got no shoes!" The scene ends before she is attacked. Her actual attack by the corpses is moved to a later spot in the film.
When Ernie tries to use the phone in the office, the take is very different from the one in the released version: he doesn't close the steel shutters, leaving the window wide open.
When Spider demands to know what's going on, Bert calls him a "Black Bastard," and he goes into more detail about what the chemical does to the corpses.
Freddy's attack on Tina is extended and cut a little differently: they circle around the podium at the front of the chapel, which he knocks over. She runs to the door, he follows and slams into it. He pushes her down on a pew and she kicks him off (which is where the scene in the released version actually begins). Before throwing the candlestick at him she throws a folding chair, which he knocks aside. There is an additional shot of Frank running down the hallway.
Ernie comforts Tina by saying "Don't you worry about Freddy and Frank. You see, they've gone to heaven. Those things out there...they're just dead bodies that want to eat our brains."
Frank's cremation is much longer: it starts with a closeup of Frank staring at something. The camera slowly pulls back to show that he's staring at the furnace across the room. He stands and groans, the furnace tilts back and forth in a dreamlike way, he mouths a prayer just before putting his wedding ring on the furnace switch.
The scene where Bert and Spider are preparing to leave the mortuary is an alternate take, with different dialogue. Instead of telling Bert to watch his "ass out there," he says "no matter what happens, don't name it after me." Tina wonders what they should do if Bert and Spider don't make it, and Bert tells her to "think positive."
Bert's call to the police is longer: he is put on hold by the operator, and gives more details about what's happening and where he is.
After the nuclear weapon explodes, a voice-over explains that the disaster was "officially described as a petrochemical refinery accident," and that the contaminated dirt from the incident is "residing in 175 railroad cars, parked on an unused railway line in South Dakota."
Okay, we have zombies, punk rockers, a punk rock soundtrack, violence, gore, nudity, one-liners, comedy, great special effects, gratuitous profanity, an old creepy/shady mortician, an old cool caddy, brains, cheesy acting(where needed), dissected dogs, three sweet settings, and an awesome plot...BOOM! What else do you need? This movie has been one of my favorites for the past 25 years. This is by far one of the most entertaining movies I have ever seen. Hilarious when it needs to be and sadistically chilling when the plot calls for it. This movie will be remembered for years to come. A definite cult classic. If you have never watched this movie then you are depraving yourself. Watch this movie...again and again!
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