Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains.Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
The vision test on the wall reads: "Burt is a slave driver and a cheap son of a bitch who's going bald too haha" See more »
(at around 46mins) When the two paramedics arrive on scene to examine Frank and Freddy, one asks the other about his stethoscope working because he could not find a blood pressure. The second paramedic has the same problem. However, neither are seen with the stethoscopes in their ears. See more »
[referring to Suicide]
Well, look who it is! Your friend and mine.
Hey, fuck you, ballbuster!
See more »
The following phony disclaimer precedes the movie: "The events portrayed in this film are all true. The names are real names of real people and real organizations." See more »
The edited-for-TV Version cuts out all nudity, gore, swears and curses and (some delete anything like "God damn", but others go even further by deleting "Jesus Christ" or any other name-in-vain type of stuff). Some of the scenes are changed around, slightly. For instance, the part where Casey (Jewel Shepard) say to Chuck (John Philbin): "Oh great here's your friend and mine!" Suicides reply "Hey F**k you, ball-buster!" is changed to "I mean I got somethin' to say, ya know!". See more »
ROTLD is one of the rare cases where horror meets comedy to good effect. With some classic lines like "you gotta hit the brain" and "watch your mouth kid if you like this job", this film works because it doesn't rely solely on gore or stupidity; the script is very well written.
ROTLD pays homage to George Romero's "Night of the Living Dead" but veers away from the slow lumbering zombies of the '68 classic, and instead gives us "the original" super zombies (ie before 28 days later or Dawn of the Dead remake) that are not so easily dealt with! This proves to be an interesting problem for the script to resolve which I think it does with style by the end of the movie.
The characters are a little predictable and one dimensional except for the lead pair who are introduced at the start of the movie, but that's perhaps the only flaw. What I really like about this movie is that, whilst not entirely a gorefest, it still manages to kick-ass because of the flawless plot. By this I mean that there a few scenarios where you find yourself saying "that's just dumb" or "they'd never do that" etc, which is very rare nowadays in the horror/sci-fi genre. Dramas & thrillers etc get an easy job of it because all they have to do is convince us that their reality is real-life. Horror on the other hand needs to convince that the unreality it portrays is what is real-life, and that's not always an easy task.
ROTLD is funny, sick, clever and above all entertaining if you can stomache some pretty twisted content. Personally, I love it.
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