Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains.Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
The film's German title is "Verdammt, die Zombies kommen", which is roughly "Damnit, the Zombies Are Coming" and the Danish title is "Ligene er ligeglade" which is roughly "The Dead Don't Care" - playing up the comical aspect of the film. See more »
(at around 1 hr 2 mins) Immediately after Trash emerges from the mud, the movie fades to a clip of rain with smoke rising. The clip is looping in forward and reverse, as you can see the rain and smoke rising and falling several times, pausing briefly between each cycle. See more »
Gee... And now you made me hurt myself again! You made me break my hand completely off this time Tina! But I don't care Darlin', because I love you, and you've got to let me EAT YOUR BRAAAAAAAAAAAIIIIIIIIIIIINS! WHERE ARE YOU!
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The credits play over the hilarious scenes of the movie that involve Frank and Freddy. See more »
Also a never-before-seen opening and ending was shot. See more »
The best comedy is played straight, and there are few films "straighter" than horror movies (in which the intent is, ostensibly, to terrify). Dan O'Bannon's "straight comedy" is gut-bustingly funny. [I also remember being impressed by his performance in the delightful DARK STAR, which turned up at an art house showing along with the STAR WARS parody, HARDWARE WARS.] Intense, and boasting great music and some of the best performances ever seen in a fright film (including Clu Gulager, James Karen and Don Calfa, veterans all, whose frantic on-screen antics are the cornerstones of this film), RETURN OF THE LIVING DEAD is one of those "must-see" movies no serious fan should miss. The cinematography is simply stunning, and the fx are 100% believable. It's amazing that O'Bannon hasn't directed more often: it's clear that he belongs behind a camera.
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