Thinking this will prevent war, the US government gives an impenetrable supercomputer total control over launching nuclear missiles. But what the computer does with the power is unimaginable to its creators.
Local goon, Gerry, hires a yellow mini in Kaitaia using a stolen license. John's wife has just left him and moved to Invercargill. He is devastated and needs to talk to her. He has no ... See full summary »
Lone survivor, doctor Robert Neville, struggles to create a cure for the plague that wiped out most of the human race while fighting The Family, a savage luddite death cult formed by the zombie-like infected to erase the past.
A man wakes up to find himself literally alone in the world, and goes about trying to find other survivors, as well as to find out what happened. He suspects that a government research project he was involved in had something to do with the disappearance of everyone. Eventually he finds several other people, and once they begin to trust each other they try to figure out why they were left on earth.Written by
Ed Sutton <firstname.lastname@example.org>
Another major point of comparison is the 1959 film 'The World, the Flesh, and the Devil'-- which also features a similar trio of survivors in a post-apocalyptic United States, only with the races switched. The first survivor is a black man, the second a white woman, and the third a white man. Race plays a much more explicit role in that film, whereas 'The Quiet Earth' makes statements on race more subtly. See more »
When Zac is driving the big earth moving machine (at around 33 mins), just as he stops, if you look through the window of the truck in the upper left of the screen you can see a car passing in the distance. See more »
[trying to pay for gasoline]
Hello... Hello... Hello?
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During the closing credits the scene cuts to a close up of Zac Hobson staring in stunned disbelief at what he's beholding. Then he realizes he's still holding his mini-tape recorder in his left hand, and after a moment of contemplation lets it drop to his side, as if there are no words to describe the sight. See more »
Not many (or not nearly enough) have seen it and those who have mostly love it. Director Geoff Murphy's film career has gone right into the proverbial john since making this. Oh, he's still working, sure, but his later works (some of them) can't compare to this masterwork.
But if you like Last Man On Earth type movies this celluloid slice of sci-fi cherry pie is for you! It has one of those endings that will leave you dazzled and puzzled. It doesn't try and tie up all the loose ends and questions like a lot of films do. Its much like a Kubrick film in that respect.
Hopefully The Talented Mr. Murphy will make a film as good as this again someday. Here's hoping! And I loved the ass shot of the beautiful, milky skinned redhead (Alison Routledge) as well. Talk about cherry pie. Yum.
You will like the aforementioned shot too. If you swing that way.
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