7.7/10
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144 user 87 critic

The Purple Rose of Cairo (1985)

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In New Jersey in 1935, a movie character walks off the screen and into the real world.

Director:

Woody Allen

Writer:

Woody Allen
Nominated for 1 Oscar. Another 14 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mia Farrow ... Cecilia
Jeff Daniels ... Tom Baxter / Gil Shepherd
Danny Aiello ... Monk
Irving Metzman Irving Metzman ... Theater Manager
Stephanie Farrow Stephanie Farrow ... Cecilia's Sister
David Kieserman David Kieserman ... Diner Boss
Elaine Grollman Elaine Grollman ... Diner Patron
Victoria Zussin Victoria Zussin ... Diner Patron
Mark Hammond Mark Hammond ... Diner Patron
Wade Barnes Wade Barnes ... Diner Patron
Joseph G. Graham Joseph G. Graham ... Diner Patron
Don Quigley Don Quigley ... Diner Patron
Maurice Brenner Maurice Brenner ... Diner Patron
Paul Herman ... Penny Pitcher
Rick Petrucelli Rick Petrucelli ... Penny Pitcher
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Storyline

Cecilia is a waitress in New Jersey during the Depression and is searching for an escape from her dreary life. Tom Baxter is a dashing young archaeologist in the film "The Purple Rose of Cairo." After losing her job Cecilia goes to see the film in hopes of raising her spirits. Much to her surprise Tom Baxter walks off the screen and into her life. There's only one problem..Tom isn't real. Meanwhile Hollywood is up in arms when they dicover that other Tom Baxters are trying to leave the screen in other theatres. Will Tom ever return and finish the film or will he decide to stay in the real world? Written by Ricky Darbonne <nsdar8115@alpha.nsula.edu>

Plot Summary | Add Synopsis

Taglines:

She's finally met the man of her dreams. He's not real but you can't have everything. [Video]


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

19 April 1985 (USA) See more »

Also Known As:

La rosa púrpura del Cairo See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$114,095, 3 March 1985, Limited Release

Gross USA:

$10,631,333
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

According to Eric Lax's book, this movie is one of Woody Allen's favorite films of his own. They are in order: Match Point (2005), The Purple Rose of Cairo (1985), Stardust Memories (1980), Broadway Danny Rose (1984), and Manhattan Murder Mystery (1993). See more »

Goofs

As Cecilia and Gil play and sing in the music store, the camera casts a shadow in the lower left that disappears as it pulls back to a wide angle shot. See more »

Quotes

[first lines]
Theater Manager: Oh Cecilia, be careful! You all right?
Cecilia: Yeah.
Theater Manager: You're gonna like this one, it's better than last week's, more romantic.
See more »

Crazy Credits

Alexander Cohen's name is listed as "Alexander H. Cohen" in the opening credits, although the middle initial is dropped in the end credits. See more »

Connections

Referenced in Siskel & Ebert: The Movies That Made Us Critics (1988) See more »

Soundtracks

Alabamy Bound
(1925)
Music by Ray Henderson
Lyrics by Buddy G. DeSylva (as B.G. De Sylva) and Bud Green
Played by Cynthia Sayer (uncredited) and
Sung by Jeff Daniels (uncredited)
See more »

Frequently Asked Questions

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User Reviews

 
Fresh and inventive Woody.
29 January 2005 | by OllieZSee all my reviews

The Purple Rose of Cairo really does rate up there with Woody's best - from Annie Hall, Manhattan to the earlier, more slapstick efforts, such as Love and Death and Sleeper. Cairo happens to be one of the best 80's movies Woody actually made - Crimes and Misdeameanours and Braodway Danny Rose being other greats.

The reason why I think that Cairo is better than the other 80's efforts is that the idea is really inventive. The movie raises so many questions of reality and fantasy, but does so in a highly surreal fashion. The switching of scenes, from reality to fantasy (movie) made me realise where movies take us as a viewer. Cecelia finds solace in the world of movies and comes up against the decision of which is better - the perfect world of movie, or reality, where things are never certain.

Jeff Daniels is so enigmatic in this movie. Not only as Tom, the screen legend, but as Gil the actor. Two very different characters, both played brilliantly. Mia Farrow is great as usual, and shows how broad her talent is (Broadway Danny Rose and Radio Days - both very different characters. Danny Aiello is good as the lazy slob-of-a-husband, Monk.

Like Radio Days, Woody isn't actually on screen (he narrated Radio Days, mind) and in a way this eased me up. Woody is fantastic when he is on screen, but this film benefited from losing his neurotic nature, and instead concentrated on the era, the love of movies and the complex themes of a movie within a movie. I will admit, some neurosis is retained in the dialogue (talk of morality to prostitutes!) - and this added to the surreal nature of the movie.

This has to be one of my favourite films Woody has directed. Annie Hall probably being my fave, Manhattan, Crimes and Misdeamenours and Sleeper following. Cairo is so constantly fresh and inventive, I couldn't help being captivated during it's short running time. I recommend this to any fan - or any lover of movies themselves. A real treat.


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