The Purple Rose of Cairo (1985)

In New Jersey in 1935, a movie character walks off the screen and into the real world.

Director:

Woody Allen

Writer:

Woody Allen

Stars:

Mia Farrow, Jeff Daniels, Danny Aiello

Nominated for 1 Oscar. Another 15 wins & 14 nominations.

Cast

Cast overview, first billed only:
Mia Farrow	...	Cecilia
Jeff Daniels	...	Tom Baxter / Gil Shepherd
Danny Aiello	...	Monk
Irving Metzman	...	Theater Manager
Stephanie Farrow	...	Cecilia's Sister
David Kieserman	...	Diner Boss
Elaine Grollman	...	Diner Patron
Victoria Zussin	...	Diner Patron
Mark Hammond	...	Diner Patron
Wade Barnes	...	Diner Patron
Joseph G. Graham	...	Diner Patron
Don Quigley	...	Diner Patron
Maurice Brenner	...	Diner Patron
Paul Herman	...	Penny Pitcher
Rick Petrucelli	...	Penny Pitcher

Storyline

Cecilia is a waitress in New Jersey during the Depression and is searching for an escape from her dreary life. Tom Baxter is a dashing young archaeologist in the film "The Purple Rose of Cairo." After losing her job Cecilia goes to see the film in hopes of raising her spirits. Much to her surprise Tom Baxter walks off the screen and into her life. There's only one problem..Tom isn't real. Meanwhile Hollywood is up in arms when they dicover that other Tom Baxters are trying to leave the screen in other theatres. Will Tom ever return and finish the film or will he decide to stay in the real world?

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Plot Keywords:

film within a film | 1930s | movie theater | film industry | entering movie via screen | 

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Taglines:

She's finally met the man of her dreams. He's not real but you can't have everything. [Video]

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Genres:

Comedy | Fantasy | Romance

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

19 April 1985 (USA)

Also Known As:

The Purple Rose of Cairo

Filming Locations:

Kent Theater, 1170 Coney Island Avenue, Ocean Parkway, Brooklyn, New York City, New York, USA

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$114,095, 3 March 1985

Gross USA:

$10,631,333

Cumulative Worldwide Gross:

$10,631,333

Company Credits

Production Co:

Jack Rollins & Charles H. Joffe Productions, Orion Pictures

Technical Specs

Runtime:

82 min

Sound Mix:

Mono

Color:

Black and White Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

After this film was previewed, word got back to Woody Allen that if he just changed his ending, he could have a big hit. Allen declined, saying that the ending is one of the reasons he made the film.

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Goofs

When Cecelia is playing the ukulele in the music store she is strumming along to the song and the song stops. She continues to strum along after the song is over, but there is no sound. The ukulele playing was obviously dubbed in.

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Quotes

[first lines]
Theater Manager: Oh Cecilia, be careful! You all right?
Cecilia: Yeah.
Theater Manager: You're gonna like this one, it's better than last week's, more romantic.

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Connections

Spoofed in Get a Horse! (2013)

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Soundtracks

I Love My Baby, My Baby Loves Me
(1925)
Music by Harry Warren
Lyrics by Bud Green
Sung by Jeff Daniels (uncredited) with Loretta Tupper (uncredited) on piano

User Reviews

Flawless in its own way, a pure pleasure to sit back and lose yourself

The Purple Rose of Cairo (1985)

There's no way you can't like the ingenuity of the movie, and the fun it has. It's about the joy of life, and love of the movies, and the difficulty to tell the difference sometimes (at least when in the theater).

In some ways this is one of Woody Allen's lightest movies, and certainly lightweight compared to the more serious movies of this period (like the stunning gem, "Another Woman"). It's not zany like his earliest comedies ("Love and Death"). And it's not deeply observant and sometimes downright moving and brilliant like his best movies (like "Annie Hall" or "Crimes and Misdemeanors"). In that way it feels like what some novelists would call an "entertainment" to distinguish from their heavier masterpieces, and sometimes these are the most readable of all. Or the most watchable.

"The Purple Rose of Cairo" is inventive, warm, and touching. It's really high brow hilarious when the people on the screen react to the situation, not only because of the existential reality shift going on, but because they are all high brow types. Then there are the everyday scenes with Mia Farrow, the lead actress in the real world (usually), and support from Danny Aiello, really just a foil for the main romances (two) going on with Farrow (singular). It's not as complicated as it sounds, which might prove the elegance of Allen's writing.

A beautiful, delicate movie without undo weightiness. Joyous, yes, even in its melancholy end.