The Purple Rose of Cairo (1985)

In New Jersey in 1935, a movie character walks off the screen and into the real world.

Director:

Woody Allen

Writer:

Woody Allen

Stars:

Mia Farrow, Jeff Daniels, Danny Aiello

Nominated for 1 Oscar. Another 14 wins & 14 nominations.

Cast

Cast overview, first billed only:
Mia Farrow	...	Cecilia
Jeff Daniels	...	Tom Baxter / Gil Shepherd
Danny Aiello	...	Monk
Irving Metzman	...	Theater Manager
Stephanie Farrow	...	Cecilia's Sister
David Kieserman	...	Diner Boss
Elaine Grollman	...	Diner Patron
Victoria Zussin	...	Diner Patron
Mark Hammond	...	Diner Patron
Wade Barnes	...	Diner Patron
Joseph G. Graham	...	Diner Patron
Don Quigley	...	Diner Patron
Maurice Brenner	...	Diner Patron
Paul Herman	...	Penny Pitcher
Rick Petrucelli	...	Penny Pitcher

Storyline

Cecilia is a waitress in New Jersey during the Depression and is searching for an escape from her dreary life. Tom Baxter is a dashing young archaeologist in the film "The Purple Rose of Cairo." After losing her job Cecilia goes to see the film in hopes of raising her spirits. Much to her surprise Tom Baxter walks off the screen and into her life. There's only one problem..Tom isn't real. Meanwhile Hollywood is up in arms when they dicover that other Tom Baxters are trying to leave the screen in other theatres. Will Tom ever return and finish the film or will he decide to stay in the real world?

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Plot Keywords:

film within a film | 1930s | movie theater | film industry | entering movie via screen | 

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Taglines:

She's finally met the man of her dreams. He's not real but you can't have everything. [Video]

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Genres:

Comedy | Fantasy | Romance

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

19 April 1985 (USA)

Also Known As:

La rosa púrpura del Cairo

Filming Locations:

Kent Theater, 1170 Coney Island Avenue, Ocean Parkway, Brooklyn, New York City, New York, USA

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$114,095, 3 March 1985, Limited Release

Gross USA:

$10,631,333

Company Credits

Production Co:

Jack Rollins & Charles H. Joffe Productions, Orion Pictures

Technical Specs

Runtime:

82 min

Sound Mix:

Mono

Color:

Black and White Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Jeff Daniels replaced Michael Keaton in the lead male role. Keaton was originally cast footage was shot for ten days. Director Woody Allen decided it wasn't working feeling, that Keaton, despite a good performance so far, was miscast being too contemporary for the part and was not fitting well into this period movie. Keaton had taken sizable salary cut to do a film with Allen. Apparently, Keaton was to appear in another later Allen film to make-up for this disappointment, but to date (April, 2018) this has yet to occur.

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Goofs

Although the film's fictional namesake has scenes filmed in the Copacabana club in New York, the club was not open until November 1940. This is not consistent with the actual film, which is set during the Great Depression.

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Quotes

[first lines]
Theater Manager: Oh Cecilia, be careful! You all right?
Cecilia: Yeah.
Theater Manager: You're gonna like this one, it's better than last week's, more romantic.

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Crazy Credits

Alexander Cohen's name is listed as "Alexander H. Cohen" in the opening credits, although the middle initial is dropped in the end credits.

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Connections

Referenced in Pete's Christmas (2013)

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Soundtracks

Alabamy Bound
(1925)
Music by Ray Henderson
Lyrics by Buddy G. DeSylva (as B.G. De Sylva) and Bud Green
Played by Cynthia Sayer (uncredited) and
Sung by Jeff Daniels (uncredited)

User Reviews

Allen's best film to date

Woody's stories are often derivative, but he's forgiven that, usually, because the results are good and ultimately do deserve his signature. For PURPLE ROSE, he swipes Buster Keaton's gimmick in SHERLOCK, JR., then lets his imagination run free as he did in the best of his NEW YORKER stories. We wind up with the most fascinating and realistic meditation regarding what it is to be an audience, a viewer's relationship to art, art's relationship to reality. The triumph is amazing, because, despite the depth of the symbolism, PURPLE ROSE can also be seen as sheer entertainment; on its surface, it is still one of the most entertaining pictures Woody has ever made.

Farrow and Aiello are marvelous here; Mia, who is quite underrated, has only been as good once -- in BROADWAY DANNY ROSE. The photography is superb, influenced perhaps by Edward Hopper with generally less obvious light sources.

Splendid, splendid work.