A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
Respected liberal Senator Joe Tynan is asked to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well... See full summary »
During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
Susan Traherne has been irreparably changed by her wartime experiences as a Resistance fighter. She sets out in the post-war world to make her way to what she wants, no matter who is hurt, or how.Written by
This movie was released seven years after its source stage play had been first performed. See more »
When Sir Leonard Darwin is shown writing his resignation over the Suez debacle, the paper has the letterhead of "Foreign and Commonwealth Office". The Suez Crisis took place in 1956 and the Foreign and Commonwealth Office did not come into being until the 1968 merger of the Foreign Office with the separate Commonwealth Office. See more »
I would stop, I would stop, I would stop fucking talking if I ever heard anybody else say anything worth fucking stopping talking for!
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I would stop f***ing talking if there were anything worth stopping f***ing talking for
I guess I've seen all of Meryl Streep's movies--even the silly one where her head is on backwards--but I think she was never better than in Plenty. It's basically a story about an English woman who risked her young life working for the French underground during the war and had the highest hopes for the world that would follow after the war ended. The film traces her increasing disgust with what in fact did follow.
She takes a succession of jobs--clerk for a shipping company, functionary for QE II's coronation, assistant producer for a TV ad company--while simultaneously married to stiff but devoted British diplomat Charles Dance and intermittently entertained by bohemian Tracy Ullman. Throughout all her disillusionment she hangs on to the memory of a quick affair with an English paratrooper she met in France. A token he gave her becomes the symbol of her hope.
Dance is top-notch as her long-suffering husband, trying to cope with her bouts of instability. Gielgud is excellent as Dance's boss, an ambassador trying to cope with British foreign policy. A short encounter between Streep and a Foreign Service bureaucrat, no less than Ian McKellan, is a sterling scene. Throughout the film the dialogue is as sharp as a razor.
All in all, I can't think of any film which more pointedly contrasts the drama of the war years with the anti-climax of the post-war years. It gives new meaning to The Best Years of Our Lives.
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