In 20th-century colonial Kenya, a Danish baroness/plantation owner has a passionate love affair with a free-spirited big-game hunter.In 20th-century colonial Kenya, a Danish baroness/plantation owner has a passionate love affair with a free-spirited big-game hunter.In 20th-century colonial Kenya, a Danish baroness/plantation owner has a passionate love affair with a free-spirited big-game hunter.
- Won 7 Oscars
- 30 wins & 31 nominations total
Featured reviews
a film with Meryl Streep and Robert Redford could not be more than a good one. the African landscapes, the music, the cast are virtues in same measure. but the real surprise is the wise balance between emotions, love story, decisions of the lead characters. the science to use a book for explore the nuances of a form of survive far to well- known places. the precise - delicate portrait of relationship and about the status/roots in a different society. and, sure, the high poetry of images - parts of inspired music. a film for remind and discover. small, seductive, bitter details. and for understand a part from a non ordinary biography. more than a good film, a surprising one. for a kind of magic who rebuild a lost form of romanticism and adventure.
Fifty years ago I was living in the Kenya highlands, only a few miles from the old Blixen farm. Not a great deal had changed since the 1920s, the period of the movie, which manages a reasonable re-creation. However, the background is unlikely to mean much to Americans, only confirming unreal stereotypes of the colonial British. Meryl Steep, as we have come to expect, is superb in the part; and in 2003 she co-narrated a wonderful documentary on the remarkable Karen Blixen (Isak Dinesen), to whom in fact she bears some physical resemblance. Robert Redford is badly miscast, and why the producers didn't get one of many superb English actors for the part I can't imagine. As a love story well told in what to most people will be an exotic setting, beautifully photographed, it should be highly rated, justifying its many awards.
It's hard to describe this film. On one hand, it's long and slow; on the other, it's an absorbing story with fantastic acting and breathtaking scenery.
Meryl Streep stars as Karen Blixen, a Danish woman, who marries Bror Blixen and becomes a Baroness. The couple move to Africa in 1913 and start a coffee plantation.
Blixen cheats on her and is away often for business, while she stays at home working the plantation. Ultimately he gives her VD.
She falls in love with Denys Finch-Hatton (Robert Redford). The relationship is frustrating for her -- Denys does not want a commitment, he wanted freedom. When she returns to her native country, she writes about her experience as Isak Dinesen.
The film shows a lot of interesting history: the class consciousness, for one, as Karen was looked down on because of her humble beginnings. Also, it shows Europeans trying to impose their culture on a foreign people.
It definitely portrays how the different tribes saw the Europeans, basically as people who did not belong there.
It also shows the simplicity of the natives, and how their knowledge of their own country was superior. All of this is before World War II and very interesting.
Interestingly, Sikh Indians are brought to the English Gentlemen's club to act as servants and when Karen dares to enter the men's only den, it's the Sikh who is responsible for escorting her out; none of the English "gentlemen" have the balls or nerve to do it. An interesting observation on the English White man's view of the world before World War I.
Many of the lesser characters were real people. Kumante was apparently consulted by the filmmakers. Felicity is based on aviatrix Beryl Markham.
The cast includes Klaus Maria Brandauer, Michael Kitchen, Michael Gough, and Rachel Kempson, all wonderful actors.
Meryl Streep does a beautiful job as Karen/Isak. Robert Redford is miscast as Denys, who is supposed to be a British aristocrat. If he speaks with an American accent, he can't be a British aristocrat. Apparently Redford used an accent but Sydney Pollack made him overdub his lines; he thought they would distract the audience.
I think he should have been encouraged to work on and use the accent so his portrayal could have closer to the real man. As it is, he comes off as miscast -- and American. He also doesn't register as well as he could, given his looks and charm.
The scenery in this film is the true star. So many of us don't have a strong picture of Africa; this film displays its great beauty.
Interestingly, the story of Isak Dinesen was considered for Greta Garbo, and Audrey Hepburn was offered the role before Streep.
Meryl Streep stars as Karen Blixen, a Danish woman, who marries Bror Blixen and becomes a Baroness. The couple move to Africa in 1913 and start a coffee plantation.
Blixen cheats on her and is away often for business, while she stays at home working the plantation. Ultimately he gives her VD.
She falls in love with Denys Finch-Hatton (Robert Redford). The relationship is frustrating for her -- Denys does not want a commitment, he wanted freedom. When she returns to her native country, she writes about her experience as Isak Dinesen.
The film shows a lot of interesting history: the class consciousness, for one, as Karen was looked down on because of her humble beginnings. Also, it shows Europeans trying to impose their culture on a foreign people.
It definitely portrays how the different tribes saw the Europeans, basically as people who did not belong there.
It also shows the simplicity of the natives, and how their knowledge of their own country was superior. All of this is before World War II and very interesting.
Interestingly, Sikh Indians are brought to the English Gentlemen's club to act as servants and when Karen dares to enter the men's only den, it's the Sikh who is responsible for escorting her out; none of the English "gentlemen" have the balls or nerve to do it. An interesting observation on the English White man's view of the world before World War I.
Many of the lesser characters were real people. Kumante was apparently consulted by the filmmakers. Felicity is based on aviatrix Beryl Markham.
The cast includes Klaus Maria Brandauer, Michael Kitchen, Michael Gough, and Rachel Kempson, all wonderful actors.
Meryl Streep does a beautiful job as Karen/Isak. Robert Redford is miscast as Denys, who is supposed to be a British aristocrat. If he speaks with an American accent, he can't be a British aristocrat. Apparently Redford used an accent but Sydney Pollack made him overdub his lines; he thought they would distract the audience.
I think he should have been encouraged to work on and use the accent so his portrayal could have closer to the real man. As it is, he comes off as miscast -- and American. He also doesn't register as well as he could, given his looks and charm.
The scenery in this film is the true star. So many of us don't have a strong picture of Africa; this film displays its great beauty.
Interestingly, the story of Isak Dinesen was considered for Greta Garbo, and Audrey Hepburn was offered the role before Streep.
What makes a good film? It's funny I lent my DVD of this to a mate recently and although she didn't hate it she didn't get it either. Which surprised me because, to me, there has never been any doubt in my mind about the beauty and quality of this film. Anyway I was surfing IMDb and decided to look at this page. There is (or was) a thread on the discussion board about whether this was a good or bad film, I clicked on it. I have never (in my modest surfing of this site) seen such a big thread. Surely a film that evokes that much passion (the majority of which was positive and defencive) has achieved something.
I'm not saying that Out of Africa is the best film I've ever seen (I've yet to see that one!) but I think I can safely say that it has secured a place for itself both in cinematic history and the future of entertainment. You see at it heart it is a well made, timeless epic.
Yes there will always be the people who take exception to the accents, dislike the ending or believes it drags on for too long, but that's their lost, I can't help thinking they haven't been patient enough (and this annoys me).
You see the thing is in many ways the endless beauty of this film lies in its subtleties. Yes you have Meryl Streep and Redford flanked by the scenery and music, but for me it's the things like Pollock's direction, Michael Kitchen's performance and Karen's interaction with member's of the tribe that make the film.
Part of me wants to tie my mate to a chair and make her sit and watch this until she gets it. The other half is slightly relieved, because I feel that with her rejection this film is ever so slightly more exclusively mine, and I know that although I'm still only young I will always have time a space for it!
I'm not saying that Out of Africa is the best film I've ever seen (I've yet to see that one!) but I think I can safely say that it has secured a place for itself both in cinematic history and the future of entertainment. You see at it heart it is a well made, timeless epic.
Yes there will always be the people who take exception to the accents, dislike the ending or believes it drags on for too long, but that's their lost, I can't help thinking they haven't been patient enough (and this annoys me).
You see the thing is in many ways the endless beauty of this film lies in its subtleties. Yes you have Meryl Streep and Redford flanked by the scenery and music, but for me it's the things like Pollock's direction, Michael Kitchen's performance and Karen's interaction with member's of the tribe that make the film.
Part of me wants to tie my mate to a chair and make her sit and watch this until she gets it. The other half is slightly relieved, because I feel that with her rejection this film is ever so slightly more exclusively mine, and I know that although I'm still only young I will always have time a space for it!
What a memorable gem of a movie!! I thought this film deserved every one of its seven Academy Awards it got. After viewing this film again I'm just stupefied why didn't Meryl Streep win Best Actress in this movie. The role of Karen Blixen was very complex and she performed it beautifully. This is probably right up there with "Sophie's Choice" and "Kramer vs. Kramer" both Award winning performances for her and this is right there with "Bridges of Madison County" and "A Cry in the Dark".
Syndey Pollock hit the nail right on the head with this classic beautiful cinematography. The acting is excellent by Streep, Redford, and Klaus Maria Brandeur. I liked the scene when Karen (Streep) wants her servant to address her by her name and he said "You are Karen, Sabu". I also loved the owl that she had in her room - it was a small one, but it was so cute and I loved it.
If you have a chance to rent this movie, please do - it is a classic. I love the beginning line "I had a farm in Africa" it was so moving!!
Syndey Pollock hit the nail right on the head with this classic beautiful cinematography. The acting is excellent by Streep, Redford, and Klaus Maria Brandeur. I liked the scene when Karen (Streep) wants her servant to address her by her name and he said "You are Karen, Sabu". I also loved the owl that she had in her room - it was a small one, but it was so cute and I loved it.
If you have a chance to rent this movie, please do - it is a classic. I love the beginning line "I had a farm in Africa" it was so moving!!
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Storyline
Did you know
- TriviaEarly in the film, Baroness Karen Blixen is introduced to her servants. Although the scene is inter-cut with close-ups and other inserts in the film, the first take was filmed as one long shot that required Meryl Streep to meet and exchange dialogue with several other characters. As soon as director Sydney Pollack yelled "Cut", Streep, wearing a high-collared shirt and snug jacket, yelled "get this thing off of me!" and ripped open her jacket. A large beetle had crawled down the front of the jacket moments after the camera rolled, yet she continued filming the scene. Much of it remains in the final film.
- GoofsDuring the lion attack, Denys pulls an additional two spare cartridges from his belt as a ready reload. However, he carries them with his right hand, his trigger hand, which also is the hand needed to break the action to reload. No experienced double-gun hunter would do this. The two reload cartridges must be carried in the left hand, leaving the right hand free to manipulate the rifle.
- Quotes
Karen Blixen: It's an odd feeling, farewell. There is such envy in it. Men go off to be tested, for courage. And if we're tested at all, it's for patience, for doing without, for how well we can endure loneliness.
- Crazy creditsEpilogue: "Karen Blixen published her first stories in 1934 under the name Isak Dinesen. She never returned to Africa."
- Alternate versionsNetwork TV version features additional footage not included in theatrical release.
- ConnectionsEdited into A Song of Africa (2000)
- SoundtracksConcerto for clarinet and orchestra in A (K.622)
Written by Wolfgang Amadeus Mozart
Performed by Jack Brymer Clarinet, The Academy of St. Martin-in-the-Fields
Directed by Neville Marriner
Used Courtesy of Philips Classic Productions, The Netherlands
- How long is Out of Africa?Powered by Alexa
Details
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $87,071,205
- Opening weekend US & Canada
- $3,637,290
- Dec 22, 1985
- Gross worldwide
- $227,514,205
- Runtime2 hours 41 minutes
- Color
- Aspect ratio
- 1.85 : 1
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