In 1930's Marjorie Kinnan Rawlings moves to Florida's backwaters to write in peace. She feels bothered by affectionate men, editor and confused neighbors, but soon she connects and writes The Yearling, a classic of American literature.
Not until three years after the death of her husband Jolly, Kay dares to move back into their former house, persuaded by her new fiancé Rupert. But soon her worst expectations come true, ... See full summary »
A wealthy writer, who has had terrible experiences with money-hungry girlfriends and ex-wives, pretends to be a broke, washed-up novelist, to see if the woman he loves wants him for himself, or just for his money.
Emma is a divorced woman with a teen-aged son who moves into a small town and tries to make a go of a horse ranch. Murphy is the widowed town druggist who steers business her way. Things are going along predictably until her ex-husband shows up, needing a place to stay. The three of them form an intricate circle, with Emma's son liking Murphy but desperately wanting his father back.Written by
John Vogel <firstname.lastname@example.org>
One of the final titles to be released on the old home-video CED videodisc film format. See more »
When Emma Moriarty's son Jake comes home from school, he gets off of a school bus. The school bus is 1970s era Ford with the same engine used to power regular Ford pickups. The soundtrack plays the powerful engine of a 18 wheeler tractor trailer which could be a Mack, Peterbilt or Kenworth. Tractor trailer engines were not fitted to school buses. See more »
[to Emma, who's about to put a flyer on his windshield]
Lady, you're covering up my causes.
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Aging Garner makes the most of this showcase role, arguably among his best work. Sally Field is also appealing and believable as the much younger woman torn between romancing a ne'er-do-well but age appropriate peer or the warm-n'-fuzzy but still studly sexagenarian Garner. The dialogue exchanges between Garner and Field pop nicely and the direction is tight. Less polished is the plotline, which veers between the simplistic soap operatics in Field's life (boring and largely cliched) and the gradual courtship process between Garner and Field (sly, entertaining and winning).
Overall, though, this is a satisfying portrayal of may-december romance with the mush women will love and just enough conflict and tension to keep the men around, too. We all know the outcome before the start but it's still a gentle and loving rendition of the blossoming of true love.
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