A Noh dramatization of the suicides of Lt. Shinji Takeyama and his wife Reiko. After participating in a failed 1936 coup and being ordered to execute his friends, he bids his wife an intimate farewell and commits harakiri.
A fictionalized account in four chapters of the life of celebrated Japanese author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses), while the fourth depicts the actual events of the 25th Nov. 1970, "The Last Day".Written by
Nick Lopez <email@example.com>
Yukio Mishima's family originally cooperated with the making of this film but when their request that the gay bar scene be removed was denied, they withdrew their help. See more »
It was Morita, not Mishima, who locked the doors. When he saw that some doors couldn't be locked, Mishima ordered them barricaded. See more »
[after his mistress cuts him with a small blade]
A thought just occurred to me: "This is the woman I've been looking for. I've finally found her." For the first time I feel like I exist. I don't need a mirror.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
In some Japanese versions, the gay bar scene is cut out. See more »
There are very few films that are able to tell such a complicated story on so many levels as well as Mishima: A Life in Four Chapters. One of the most difficult aspects of story telling is the ability to flashback and forward without losing the pace of the film. This film not only flashes back and fourth with the greatest of easy, but it also flows through some of Yukio Mishima greatest stories. This film exceeds in every aspect and is a joy to watch. Not to mention the incredible Philip Glass Soundtrack.
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