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Mishima: A Life in Four Chapters (1985)

A fictionalized account in four chapters of the life of celebrated Japanese writer Yukio Mishima.

Director:

Paul Schrader

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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Ken Ogata Ken Ogata ... Yukio Mishima (segment "November 25, 1970") / Narrator
Masayuki Shionoya Masayuki Shionoya ... Morita (segment "November 25, 1970")
Hiroshi Mikami ... Cadet #1 (segment "November 25, 1970")
Junya Fukuda Junya Fukuda ... Cadet #2 (segment "November 25, 1970")
Shigeto Tachihara Shigeto Tachihara ... Cadet #3 (segment "November 25, 1970")
Junkichi Orimoto Junkichi Orimoto ... General Mashita (segment "November 25, 1970")
Naoko Ôtani Naoko Ôtani ... Mother (segment "Flashbacks")
Gô Rijû Gô Rijû ... Mishima, age 18-19 (segment "Flashbacks")
Masato Aizawa Masato Aizawa ... Mishima - age 9-14 (segment "Flashbacks")
Yuki Nagahara Yuki Nagahara ... Mishima, age 5 (segment "Flashbacks")
Kyûzô Kobayashi Kyûzô Kobayashi ... Literary Friend (segment "Flashbacks")
Yuki Kitazume Yuki Kitazume ... Dancing Friend (segment "Flashbacks")
Haruko Katô Haruko Katô ... Grandmother (segment "Flashbacks")
Yasosuke Bando Yasosuke Bando ... Mizoguchi (segment "The Temple of the Golden Pavilion")
Hisako Manda Hisako Manda ... Mariko (segment "The Temple of the Golden Pavilion")
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Storyline

A fictionalized account in four chapters of the life of celebrated Japanese author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses), while the fourth depicts the actual events of the 25th Nov. 1970, "The Last Day". Written by Nick Lopez <ntlopez@fas.harvard.edu>

Plot Summary | Add Synopsis

Taglines:

On November 25, 1970, Japan's greatest author Yukio Mishima commited an act that shocked the literary world...

Genres:

Biography | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Japan

Language:

Japanese | English

Release Date:

20 September 1985 (USA) See more »

Also Known As:

Mishima See more »

Filming Locations:

Japan See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$10,378, 15 September 1985, Limited Release

Gross USA:

$437,547

Cumulative Worldwide Gross:

$518,842
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Has never been officially released in Japan even to this day (2005) theatrically or on video because of the controversy over both Yukio Mishima's politics and the film itself. However, it has been shown on television (albeit with the gay bar scene removed) and the U.S. DVD can legally be imported there. See more »

Goofs

In the road scene, when Mishima and his crew are going to the Ministery of Defence, many models of cars can be seen which existed when the movie was filmed, but did not exist in the year the events happened (1970). See more »

Quotes

Cadet #1: You have firearms?
Isao: We'll only use swords. Our best weapon is purity.
See more »

Crazy Credits

Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »

Alternate Versions

Criterion's DVD (and the newly struck 35mm prints of the film) add a brief deleted scene, from the "Temple of the Golden Pavilion" segment in which Mizoguchi talks to an old man, back into the main film. See more »

Connections

Referenced in The Truman Show (1998) See more »

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User Reviews

 
Highly stylized, rewarding film for thoughtful viewers.
12 January 2007 | by ags123See all my reviews

It has taken several viewings for me to fully appreciate this film. Initially, I was struck by the stylized sets, but found the rest slow going and dull. I thought that such a sensational subject needed the Ken Russell treatment to take it way over the top. I now find the enforced restraint (placed on the production by Mishima's widow) to be an asset. Some of the more lurid aspects of Mishima's life are reiterated and dramatized by corresponding themes from his novels. I think it helps to be familiar with the novels - that's what finally made the difference for me. Still feel the film overall could be a little tighter and warmer, but it's genuinely unique, and deserves serious attention. Love the fact that the Japanese characters speak Japanese - not English. The Philip Glass score is mesmerizing.


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