A Noh dramatization of the suicides of Lt. Shinji Takeyama and his wife Reiko. After participating in a failed 1936 coup and being ordered to execute his friends, he bids his wife an intimate farewell and commits harakiri.
A fictionalized account in four chapters of the life of celebrated Japanese author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses), while the fourth depicts the actual events of the 25th Nov. 1970, "The Last Day".Written by
Nick Lopez <email@example.com>
The painting in the art book is one of six pictures of St. Sebastian by Guido Reni. This particular one was painted circa 1615 and is the Capitoline Museum in Rome. See more »
In the road scene, when Mishima and his crew are going to the Ministery of Defence, many models of cars can be seen which existed when the movie was filmed, but did not exist in the year the events happened (1970). See more »
You have to promise not to kiss me... until after I'm dead.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
The 2001 DVD and 1998 LaserDisc releases by Warner Bros. do not have Roy Scheider's narration; they instead have an uncredited narrator. This was an error when choosing sound elements for these releases. The uncredited narration was a temp track that was made during the editing process as a guide when cutting the film together. The 2001 DVD release does, however, feature the Japanese-language narration track by Ken Ogata . Criterion's releases of the film have both English narration tracks - the temp narration made during editing, and Roy Schieder's version, along with Ken Ogata's Japanese-language narration. See more »
Highly stylized, rewarding film for thoughtful viewers.
It has taken several viewings for me to fully appreciate this film. Initially, I was struck by the stylized sets, but found the rest slow going and dull. I thought that such a sensational subject needed the Ken Russell treatment to take it way over the top. I now find the enforced restraint (placed on the production by Mishima's widow) to be an asset. Some of the more lurid aspects of Mishima's life are reiterated and dramatized by corresponding themes from his novels. I think it helps to be familiar with the novels - that's what finally made the difference for me. Still feel the film overall could be a little tighter and warmer, but it's genuinely unique, and deserves serious attention. Love the fact that the Japanese characters speak Japanese - not English. The Philip Glass score is mesmerizing.
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