A fictionalized account in four chapters of the life of celebrated Japanese author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses), while the fourth depicts the actual events of the 25th Nov. 1970, "The Last Day".Written by
Nick Lopez <email@example.com>
Director Paul Schrader claims that a substantial amount of the financing came from Japan, but the Toho studio and their partners have persistently denied this: "We had a Japanese producer who was able to raise half of the budget through his own money and from Fuji Television and Toho-Towa. Then, of course, the Japanese financiers tried to pull out at the last minute because of pressure from the widow. There was another drama involving that and the end result was that they gave us the money but claimed that they didn't. To this day, they claim that they did not finance the film." See more »
General Mashita wiped the sword with tissue paper, not cloth. See more »
Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
The version transmitted by Channel 4 television in the UK does not have Roy Scheider's narration and is entirely in the Japanese language. See more »
Mishima is one of the greatest films ever made. Now I think Paul Schrader is the greatest screenwriter of all time, but I don't really like the films he's directed of what I've seen (with the exception of this and Affliction), but this is an amazing, disturbing, and highly 3-dimensional character study. It follows the life of Yukio Mishima, Japan's most celebrated writer, combining the last day of his life with flashbacks and his stories. I don't know how, but Paul Schrader manages to combine all of those in a very artistic way. The acting is great, so is the photography, and a perfect score by Philip Glass. Although confusing the first viewing, this is one of the few films that becomes richer with each viewing. Truly an underrated gem of a film.
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