When Nick and Jan move into their new apartment house in San Francisco, the crazy landlady upstairs informs them about a girl who used to live there in the 1920s: a brash young party girl named Maxie, who died in a car crash the morning before her massive audition for a Hollywood studio. Merry mayhem is guaranteed when Maxie's ghost, who hasn't left the house, takes over Jan's body and plans to rekindle her film career - but then falls head-over-heels in love with Nick. What he doesn't at first realise is that the woman making hasty advances on him is Maxie, and the only way she's going to leave Jan's body is if she gets that audition.Written by
On Tuesday, November 20, 1984, auditions for extras were held at Stage 18 at Laird International Studios in Culver City, California. During this interview, the male extras were asked if they were willing to cut their hair in a short 1920s style. Some extras agreed to cut their hair short while other extras did not. On Tuesday, November 27, 1984, exterior scenes of 'Maxie' arriving in the antique yellow car were shot at the Ambassador Hotel. The scene included an exchange of dialogue between 'Maxie' and E.T. reporter Leeza Gibson. The scene featured a handful of extras as press photographers. [Source: Steven A. Fredrick] See more »
In his classic convertible, Nick makes a hand signal for a left-turn. He then promptly turns right to get in front of his apartment and pull into the garage. See more »
Funny guy. Reminds me of Fatty Arbuckle.
See more »
Maxie is one of my favorites. What is especially excellent is Glenn Close's ability to change between Jan and Maxie, by only a subtle change in expression. She was remarkable. Ruth Gordon too, made the movie memorable . As her last picture, it was a fitting tribute to a great actress. The entire movie couldn't be better. I am giving it a 10.
10 of 14 people found this review helpful.
Was this review helpful to you?
| Report this