Rusty Dennis (Cher) is the mother of Rocky (Eric Stoltz), a seriously deformed, but extremely intelligent and emotionally warm teenager. Rusty is a no-nonsense mother whose wild lifestyle is often at odds with her tenderness and protectiveness towards Rocky. She is determined that Rocky be given the same chances and happiness that everyone else takes for granted.Written by
Murray Chapman <firstname.lastname@example.org>
Eric Stoltz beat out Brat Packer Rob Lowe who was originally slated to play Rocky. Ironically, later that year he was cast as Marty McFly in the 1985 time travel classic back to the future because Bob Gale and Bob Zemeckis loved him so much in Mask (a complete different type of movie). Also ironically, then Stoltz himself wound replaced and switched out for another Brat Packer type star, Michael J Fox. See more »
When Laura Dern is leaving the camp (right before her parents arrive) you can clearly hear one of the children that she hugs refer to her as Laura instead of Diana, her character name. See more »
[voiceover; a poem Rocky had written]
These things are good: ice cream and cake, a ride on a Harley, seeing monkeys in the trees, the rain on my tongue, and the sun shining on my face. These things are a drag: dust in my hair, holes in my shoes, no money in my pocket, and the sun shining on my face.
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The Director's Cut print runs around 7 minutes longer and includes a scene where Rocky & Rusty sing around a bonfire, and the funeral of cyclist Red (his motorbike is buried beside him). It also replaces the Bob Seger songs with those of Bruce Springsteen. See more »
I saw this film on TV, and it really affected me, because it was so different from most of the cliche-ridden dramatic films. It didn't really fit any "genre", because the situation and characters were so different. They were truly American, bikers with a bit of bravado but underlying sensitivity and compassion, and sense of community. It makes sense that this was a true story. I thought both Stoltz and Cher did magnificent acting jobs, although Stoltz really carried the film, with his understated sense of irony and his willingness to help others, even though inflicted with such a stigma. I agree that he should have been bullied more if this was reality, yet Bogdanovich took a great risk in the superficial culture of celluloid, to devote an entire film to someone with an ugly, deformed face. Often, it was hard to look at him, and brought up questions about my own superficial judgments of people according to their appearances. I am saddened and at the same time, inspired, to hear this was a true story. Belated congratulations and thanks to all involved with this problematic, yet ultimately, encouraging, work.
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