With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
Bartertown is a city on the edge of a desert that has managed to retain some technology if no civilization. Max has his supplies stolen and must seek shelter there in a post apocalyptic world where all machines have begun to break down and barbarians hold what is left. He becomes involved in a power struggle in this third Mad Max film where he must first survive the town, survive the desert and then rescue the innocent children he has discovered.Written by
John Vogel <firstname.lastname@example.org>
The poster art for this film was one of the last done by Richard Amsel. See more »
Ironbar fires an arrow through the train/truck's door and through Pig Killer's leg. The arrow has a huge four-bladed broadhead on it, yet the hole in the door and the hole in Pig Killer's leg are only the size of the arrow's shaft. See more »
Right now, I've got two men, two men with a gut full of fear. Ladies and gentlemen, boys and girls... dyin' times here!
See more »
Scenes filmed but cut from the final film: Max comforting the dying Ghekko while facing Bartertown from the desert dunes and telling him it's Tomorrowmorrow land (this scene can be glimpsed in the Tina Turner video for We Don't Need Another Hero.) Max waking in Crack in Earth in the middle of the night and remembering his wife Jessie and crying, realising he is no better than the people he has hunted for so long. See more »
This movie was much maligned when it came out in 1985, but that was due to the spectacular qualities of its predecessors, "Mad Max" and "The Road Warrior." Taken out of comparison with the other two, this movie is still solid post-apocalyptic fun, but it's lighter and slightly less violent than "Road Warrior" (as is evidenced by the PG-13 rating.) The actors' performances are perfectly adequate for the action, and the chase scenes bear all the hallmarks of Miller's craftsmanship (which contemporary directors should seriously consider studying and revitalizing.) You just won't see any arrow-riddled bodies slamming into the pavement at 60 mph or watch manned motorcycles sucked under the wheels of a big-rig. This one is about the kids. Think Hook in the wasteland and that starts to approach it.
If you saw this movie in the theaters 25 years ago and walked out hating it, give it another chance. Just don't see "RW" right beforehand. No reason to hobble your experience with unrealistic expectations.
40 of 56 people found this review helpful.
Was this review helpful to you?
| Report this