| Cast overview, first billed only: | |||
| Mel Gibson | ... | Mad Max | |
| Bruce Spence | ... | Jedediah | |
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Adam Cockburn | ... | Jedediah Jnr. |
| Tina Turner | ... | Aunty Entity | |
| Frank Thring | ... | The Collector | |
| Angelo Rossitto | ... | The Master | |
| Paul Larsson | ... | The Blaster | |
| Angry Anderson | ... | Ironbar | |
| Robert Grubb | ... | Pig Killer | |
| George Spartels | ... | Blackfinger | |
| Edwin Hodgeman | ... | Dr. Dealgood | |
| Bob Hornery | ... | Waterseller | |
| Andrew Oh | ... | Ton Ton Tattoo | |
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Ollie Hall | ... | Aunty's Guard |
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Lee Rice | ... | Aunty's Guard |
Left for dead in the unforgiving deserts of post-nuclear Australia, after defeating Lord Humungus' barbarian horde of bikers in Mad Max 2 (1981), the former officer of the tough Main Force Patrol, Max Rockatansky, happens upon Bartertown: the remote market-town outpost in the middle of the dry Wasteland, and the realm of the autocratic Queen Aunty Entity. There, a lethal challenge awaits Max, who, in return for his freedom and provisions, must engage in a bloody match to the death with the grotesque symbiotic being, the Master/Blaster. However, an unforeseen complication after the brutal fight in the stronghold's combat arena, The Thunderdome, will banish, once more, Max into the vast wilderness, only to discover the peaceful haven of The Lost Tribe: a community of marooned children who survive on their own, waiting for the arrival of the legendary Captain Walker. Is "Mad" Max, indeed, their saviour? Can he overthrow Bartertown's ruthless tyrant? Written by Nick Riganas
This movie was much maligned when it came out in 1985, but that was due to the spectacular qualities of its predecessors, "Mad Max" and "The Road Warrior." Taken out of comparison with the other two, this movie is still solid post-apocalyptic fun, but it's lighter and slightly less violent than "Road Warrior" (as is evidenced by the PG-13 rating.) The actors' performances are perfectly adequate for the action, and the chase scenes bear all the hallmarks of Miller's craftsmanship (which contemporary directors should seriously consider studying and revitalizing.) You just won't see any arrow-riddled bodies slamming into the pavement at 60 mph or watch manned motorcycles sucked under the wheels of a big-rig. This one is about the kids. Think Hook in the wasteland and that starts to approach it.
If you saw this movie in the theaters 25 years ago and walked out hating it, give it another chance. Just don't see "RW" right beforehand. No reason to hobble your experience with unrealistic expectations.