After being exiled from the most advanced town in post apocalyptic Australia, a drifter travels with a group of abandoned children to rebel against the town's queen.
Martin Riggs and Roger Murtaugh pursue a former LAPD officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
A woman rebels against a tyrannical ruler in postapocalyptic Australia in search for her home-land with the help of a group of female prisoners, a psychotic worshipper, and a drifter named Max.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
After a successful heist, Porter is shot by his wife and his best friend. They leave him there to die but when he recovers, he seeks revenge and wants his share of the money.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
Bartertown is a city on the edge of a desert that has managed to retain some technology if no civilization. Max has his supplies stolen and must seek shelter there in a post apocalyptic world where all machines have begun to break down and barbarians hold what is left. He becomes involved in a power struggle in this third Mad Max film where he must first survive the town, survive the desert and then rescue the innocent children he has discovered.Written by
John Vogel <jlvogel@comcast.net>
One of the Living
Written by Holly Knight
Performed by Tina Turner with Device
Produced by Mike Chapman (as Mike Chapman)
Copyright (c) 1985 Makiki Publishing Co. Ltd. See more »
I am going to keep this review of this film short and to the point. This film was a mess. Which is a shame because it had all of the makings of a good Mad Max film... For the first 5 seconds.
We start off with Gibson's character Max in this latest incarnation of the trilogy. He plays a broken nomad, the type of person to which he once scoffed at in his days in the Main Force Patrol (Mad Max - 1979). His family and his best friend are brutalised by gang members of a nomad biker clan, making good of turning the highways of Australia into a living hell. All of which is portrayed onto film in a very violent fashion.
We progress onto Mad Max 2, which sees our character roaming the 'wastelands' of Australia. These desolate and baron lands become Max's home, as he has nothing left for him in civilisation. He comes across a populated Oil refinery, which is being marauded by a viscous army of scavengers, pillagers and murderers. He brings back a half dead member of the small tribe of people within the grounds of the fortified Refinery and cuts a deal with them, a truck cab for as much Fuel as he can carry. The film progresses and again Mad Max saves the day albeit being left alone again.
Then this brings us on to Mad Max 3, if you can even call it Mad Max. This could have been a good film, had they have named it 'Peter Pan and the Quest for Tomorrow-morrow Land.' This film is completely out of sync with it's predecessors. In comparison, this is a tame and softened film of a franchise to which violence is its main selling point. Mad Max with children humming all of the time is not only slightly cringe inducing to watch, but it is not what Max is about. They call him 'Mad' Max for a reason, in this, he is more like a stressed out Babysitter. The most violence you are likely to see is Blaster being shot with a Speer, and Max knocking Savannah Nix out with a single punch, as well as a tribes-man of Bartertown being knocked out with a frying pan a couple of times. That's it. No people being impaled with spears, no kneecaps being shot out, nothing. Even Aunty Entity escapes Max's wrath, compared to her predeceasing king-pins in previous films being blown up, ran over, and blown up again.
This film is nothing more than a joke to a brilliant franchise, and not a particularly funny one at that. If I were you, I would just watch the first two films and call it quits there. Pretend that Max is still wandering the Wastelands, helping tribes-people out when they are needy, etc, etc. Although I cannot help but think that this way of thinking is only going to be made harder with a fourth member to the franchise with the pipeline. Lets hope that the directors have learnt from their mistakes made in this dog.
1/10. There nothing for you here...
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I am going to keep this review of this film short and to the point. This film was a mess. Which is a shame because it had all of the makings of a good Mad Max film... For the first 5 seconds.
We start off with Gibson's character Max in this latest incarnation of the trilogy. He plays a broken nomad, the type of person to which he once scoffed at in his days in the Main Force Patrol (Mad Max - 1979). His family and his best friend are brutalised by gang members of a nomad biker clan, making good of turning the highways of Australia into a living hell. All of which is portrayed onto film in a very violent fashion.
We progress onto Mad Max 2, which sees our character roaming the 'wastelands' of Australia. These desolate and baron lands become Max's home, as he has nothing left for him in civilisation. He comes across a populated Oil refinery, which is being marauded by a viscous army of scavengers, pillagers and murderers. He brings back a half dead member of the small tribe of people within the grounds of the fortified Refinery and cuts a deal with them, a truck cab for as much Fuel as he can carry. The film progresses and again Mad Max saves the day albeit being left alone again.
Then this brings us on to Mad Max 3, if you can even call it Mad Max. This could have been a good film, had they have named it 'Peter Pan and the Quest for Tomorrow-morrow Land.' This film is completely out of sync with it's predecessors. In comparison, this is a tame and softened film of a franchise to which violence is its main selling point. Mad Max with children humming all of the time is not only slightly cringe inducing to watch, but it is not what Max is about. They call him 'Mad' Max for a reason, in this, he is more like a stressed out Babysitter. The most violence you are likely to see is Blaster being shot with a Speer, and Max knocking Savannah Nix out with a single punch, as well as a tribes-man of Bartertown being knocked out with a frying pan a couple of times. That's it. No people being impaled with spears, no kneecaps being shot out, nothing. Even Aunty Entity escapes Max's wrath, compared to her predeceasing king-pins in previous films being blown up, ran over, and blown up again.
This film is nothing more than a joke to a brilliant franchise, and not a particularly funny one at that. If I were you, I would just watch the first two films and call it quits there. Pretend that Max is still wandering the Wastelands, helping tribes-people out when they are needy, etc, etc. Although I cannot help but think that this way of thinking is only going to be made harder with a fourth member to the franchise with the pipeline. Lets hope that the directors have learnt from their mistakes made in this dog.
1/10. There nothing for you here...