With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
Left for dead in the unforgiving deserts of post-nuclear Australia, after defeating Lord Humungus' barbarian horde of bikers in Mad Max 2: The Road Warrior (1981), the former officer of the tough Main Force Patrol, Max Rockatansky, happens upon Bartertown: the remote market-town outpost in the middle of the dry Wasteland, and the realm of the autocratic Queen Aunty Entity. There, a lethal challenge awaits Max, who, in return for his freedom and provisions, must engage in a bloody match to the death with the grotesque symbiotic being, the Master/Blaster. However, an unforeseen complication after the brutal fight in the stronghold's combat arena, The Thunderdome, will banish, once more, Max into the vast wilderness, only to discover the peaceful haven of The Lost Tribe: a community of marooned children who survive on their own, waiting for the arrival of the legendary Captain Walker. Is "Mad" Max, indeed, their saviour? Can he overthrow Bartertown's ruthless tyrant?Written by
The sandstorm at the end of the film was real, and a camera plane flew into it for some shots. The storm, in its entirety, hit the crew in the desert, forcing them to ride it out in their cars and wherever they could find cover. See more »
As Max is clearing the path for the plane, and just before he reaches Aunty's armada, he climbs out of his truck on the right side (where the steering wheel is). However, when he jumps off the truck, he jumps from the left side. See more »
[Aunty Entity's men surround Max, until she makes them stand down]
Well, ain't we a pair, raggedy man.
[she laughs evilly and heads back to her truck]
[she and her men drive off, leaving Max alone in the desert]
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Mel Gibson, who plays Mad Max, is listed again among the Stunt Crew in the End Credits. See more »
Scenes filmed but cut from the final film: Max comforting the dying Ghekko while facing Bartertown from the desert dunes and telling him it's Tomorrowmorrow land (this scene can be glimpsed in the Tina Turner video for We Don't Need Another Hero.) Max waking in Crack in Earth in the middle of the night and remembering his wife Jessie and crying, realising he is no better than the people he has hunted for so long. See more »
Too unconvincing, excessive and messy to really be enjoyable or engaging
When he is attacked and robbed of his animals, Max Rockatansky follows his attackers to Bartertown a den of deceit and violence that is made possible thanks to the methane power source from pigs kept underground. Bartertown may be ruled above ground by Aunty Entity but the real owner is Master Blaster a team of two men who control the power supply. In exchange for his goods, Aunty offers Max a deal where he will challenge Blaster to a fight in the town's duelling arena and kill him thus removing the muscle and putting Master under Aunty's control. Max accepts, although he rightly suspects that he will be the next to be betrayed.
At least one reviewer on this site has said that the reason people dislike this film is because it is about the start of a new world whereas the other two Mad Max films were about the end of the world as we know it. Sadly I believe he is mistaken because I think the reason people dislike this film is because it is messy, excessive, unconvincing (even within the apocalyptic situation it makes no sense) and just isn't really any good. The plot swings between an excessive violent society at the start, to a child colony in the middle to a big noisy chase scene right at the end. In terms of the narrative that connects this all, don't worry about that because it doesn't really work and just feels very episodic throughout making it messy and uninteresting. It is unconvincing and, although I accept that the entire film is fantasy, you gotta wonder where all the excesses and such came from and how we were supposed to buy into it; hell, a fuel blockade by lorry drivers brought the UK to its knees a few years ago but yet we're suppose to believe this? The apocalyptic here lacks imagination and just feels like the sort of thing that exists in an art director's mind rather than something that convinces.
The episodic feel isn't helped by the rambling, pointless dialogue associated with the children it tries to have a mysticism that nothing else in the film has worked to deserve; however it could be helped by developing Max better. If he was a strong lynch pin holding all these bits and pieces together then it would matter less but he isn't he is just a grunting rock that doesn't really have a character to speak of and I had little or no interest in him at all even when he becomes "caring and sharing" I didn't care because I had had nothing to work with up till that point. Turner is not terrible but she doesn't really act and just sort of swans around in an unconvincing manner. In that regard she is like the majority of the cast, who don't really give the performances whether it e the clunky child actors or the grunting brutes that are just stunt fodder. The stunts are OK and the final chase provides some distraction but without really caring about the plot or the characters, I found it hard to get into any action.
Overall a disappointing film whose core failing is the lack of a convincing new world. The film feels episodic and lacks anything to hold it together. Throwing a lot of cars around at the end does provide some distraction but by then it was too late for me and the whole thing was clunky, pointless and surprisingly uninteresting.
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