While a major in the U.S. Army, Joe Cheever has a fling with his commanding officer's daughter that results in a pregnancy. Cheever convinces the girl to have an illegal abortion. The ... See full summary »
When a first-classman's insignia is found on the riverbank near the drowned body of plebe David Hand, the specter of murder casts a shadow of scandal across the U.S. Grant Military Academy.... See full summary »
On loan from Chicago mafia to Detroit underworld, a thief gets double-crossed by the Detroit boss, and, after barely escaping, vows to take revenge. Aided by two of his close friends, and, ... See full summary »
Set in the French Quarter of New Orleans during the restless years following World War Two, A STREETCAR NAMED DESIRE is the story of Blanche DuBois, a fragile and neurotic woman on a ... See full summary »
A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
Mary Stuart Masterson
Based upon dramatic incidents that took place in Columbus, Ohio, when a defense attorney fell in love with her imprisoned client and subsequently assisted him in escaping from custody, this film, shot largely in and about Columbus, features Stephanie Zimbalist as lovelorn lawyer Diana Rockland, along with Alec Baldwin as the sociopathic convict who manipulates her sensibilities. Made for television, this production is saddled with many earmarks of such a work and in general is a fairly routine affair with the exception of telling performances from the two leads, unfortunately softened by slovenly production values and flawed continuity, in addition to a shallow script that is itself not helped by immoderate cutting and editing. Initiation of the relationship between the lovers/fugitives is barely made manifest and the extensive personality alterations required to justify motivation behind Diana's actions are not well written and the firm direction requisite to depict such a transformation is lacking; however, the importance to the affair of Diana's sister Elizabeth, played by Constance McCashin, is effectively dramatized. Zimbalist is quite mannered during the introductory scenes, but her performance clearly improves as the storyline advances, while climactic events of the film are, thanks to her, its strongest moments as she subtly projects qualities that finally affirm her persona, a nice job of acting, overcoming to some degree such foolishness as having Diana, for purposes of disguise, bleach her own hair without wearing gloves.
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