Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Professional sports is known as a true meritocracy, a field in which the cream really does rise to the top, as there's simply too much money at stake to operate in any other fashion. In ... See full summary »
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
Introducing Howard Armstrong: musician, artist, poet, and inveterate liar. Add these traits together (with charisma to spare) and you have one of those rare, idiosyncratic characters the camera can't help but fall in love with, the perfect companion for a sixty-minute jaunt through the dingy urban music halls and lonesome childhood haunts of back roads America. In between spontaneous interludes of music Armstrong entertains the viewer with anecdotes, tall tales and priceless banter, and director Terry Zwigoff simply gives him all the space he needs to ham it up in front of the camera. The result is brisk, professional non-fiction movie-making, but too loosely organized to be considered a traditional biography.
2 of 3 people found this review helpful.
Was this review helpful to you?
| Report this