The thief Gaston escapes dungeon of medieval Aquila thru the latrine. Soldiers are about to kill him when Navarre saves him. Navarre, traveling with his spirited hawk, plans to kill the bishop of Aquila with help from Gaston.
Video game expert Alex Rogan finds himself transported to another planet after conquering The Last Starfighter video game only to find out it was just a test. He was recruited to join the team of best starfighters to defend their world from the attack.
A demon who seeks to create eternal night by destroying the last of the unicorns and marrying a fairy princess is opposed by the forest boy Jack and his elven allies in this magical fantasy. Two different versions of this picture feature soundtracks by either Tangerine Dream or Jerry Goldsmith.Written by
Keith Loh <email@example.com>
In the European release print, the face of lead villain Tim Curry can't be seen until 63 minutes in (more than halfway through). See more »
In the credits, Lily's name is spelled Lili, as well as on the Jerry Goldsmith soundtrack. In the U.S. version, in the blurb at the beginning, her name is spelled Lily, as well as in the Scene Selection on the DVD. See more »
Mother night. Fold your dark arms about me. Protect me, in your black embrace. I sit alone. An impotent exile. What's this force, this presence, returns to torment me?
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The shortened American version also includes temp-track library music from Jerry Goldsmith's score for Planet Of The Apes, The (q.v.) and James Horner's Humanoids From The Deep (q.v.). See more »
To take the horn of the Unicorn is to end all hope!
Never did the phrase "a beautiful film" have more relevance than in this wonderful piece of adult fantasy. Make no mistake, this masterpiece, Ridley Scott's fourth film (it followed BLADE RUNNER) was never intended for children. Those who have written it off as a kids' movie totally betray their limitations and inability to see what is being offered here.
A youthful Tom Cruise was such a good choice as Jack, the forest dweller destined to plunge the world into darkness and then have but one opportunity to restore the light. Mia Sara is the beautiful princess, part Cinderella, part angel, all virgin! and Tim Curry? well, what a simply staggering contribution as the Lord of Darkness. Totally unrecognizable both visually and audibly but what a performance.
All the Ridley Scott trademarks are here, the back-projected blue light, the filtered scenes of wonderment, central characters in a crisis, the enigma of life itself. If anything, LEGEND is better now than when it was released. In '85 it received critical praise - just no-one went to see it! Well that's not strictly true. I attended the Sydney premiere and sat thru it entranced as others fidgeted, whispered, and generally brought attention to their limited attention spans and lowered perceptions!
Certainly it is a film that on one level children could relate to and even enjoy but it is a far deeper film with a host of reflective ideas and quite magical concepts. What really IS the Lord of Darkness? What is the significance of the Unicorns? What becomes of the innocence we leave behind in childhood? If none of this interests you, make sure you avoid this film!
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