6.5/10
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18 user 6 critic

Krush Groove (1985)

In this movie based on the early days of Def Jam Recordings, up-and-coming manager Russell Walker manages all the hottest acts on the record label Krush Groove Records, which include ... See full summary »

Director:

Michael Schultz

Writer:

Ralph Farquhar
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Sheila E. ... Herself
Joseph Simmons ... Himself (Run-D.M.C)
Darryl McDaniels ... Himself (Run-D.M.C.) (as Daryll McDaniels)
Jason Mizell ... Himself (Run-D.M.C.)
Mark Morales ... Himself (Fat Boys)
Damon Wimbley ... Himself (Fat Boys)
Darren Robinson ... Himself (Fat Boys) (as Darren 'Buffy' Robinson)
Kurtis Blow ... Himself
Blair Underwood ... Russell Walker
Ricky Bell Ricky Bell ... Himself (New Edition)
Michael Lamont Bivins ... Himself (New Edition) (as Michael Bivins)
Bobby Brown ... Himself (New Edition) (as New Edition)
Ronnie DeVoe ... Himself (New Edition) (as New Edition)
Ralph E. Tresvant ... Himself (New Edition) (as Ralph Tresvant)
LisaGay Hamilton ... Aisha
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Storyline

In this movie based on the early days of Def Jam Recordings, up-and-coming manager Russell Walker manages all the hottest acts on the record label Krush Groove Records, which include Run-D.M.C., Dr. Jekyll & Mr. Hyde, and Kurtis Blow, while Rick (Rubin) produces the label's records. When Run-D.M.C. has a hit record and Russell doesn't have the money to press records, he borrows money from a street hustler. At the same time, Russell and and his brother Run both compete for the heart of R&B singer Sheila E. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

pay phone | city | bar | car wash | d.j. | See All (69) »

Taglines:

It's chillin'! See more »

Genres:

Comedy | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 October 1985 (USA) See more »

Also Known As:

Rap Attack See more »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$2,905,293, 27 October 1985, Limited Release

Gross USA:

$11,052,713
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Technicolor)
See full technical specs »
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Did You Know?

Trivia

In Dogma (1999), Bartleby (Ben Affleck) mocks Loki (Matt Damon) by reminding him of a $10 bet Loki made when he said Krush Groove (1985) would be a bigger movie than E.T. the Extra-Terrestrial (1982). See more »

Goofs

LL Cool J appears as himself in a scene halfway through the film where he auditions for Rick and the other Krush Groove management team. In that scene, it is presumed that LL Cool J is an unknown. However, near the beginning of the film, when Sheila E. is performing "A Love Bizarre" in a club, the name "LL Kool J" (sic) can be seen written on the chalkboard behind her on stage. The chalkboard is still seen during other performances before LL Cool J makes his appearance. See more »

Quotes

LL Cool J: Box!
See more »

Crazy Credits

The charcter of Russel Walker was based on the life of Russel Simmons. See more »

Connections

Referenced in Chopping Mall (1986) See more »

Soundtracks

Please Don't Go
Performed by Nayobe
Written by Andy Panda Tripoli
Courtesy of Sutra Records
See more »

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User Reviews

 
Good film for old school Hip-Hop heads.
23 February 2002 | by myklook-1See all my reviews

This film isn't an award winner but it is a must see for all Hip Hop historians. Loosely based on the life of producer Russel Simmons this film takes us back to the early days of Hip-Hop when rap was just starting to break into the mainstream. Blair Underwood plays Russel and everyone else (Run DMC, Fat Boys, Sheila E, New Edition, Beastie Boys, L.L. Cool J, etc..) play themselves. I think, if anything, this film gives fans an idea of what it was like for young rappers, producers and other musicians from NYC in the early eighties. I think the film could have been better if it was a little grittier and honest, but if it was than Rap and Hip-Hop may not have blown up the way it did into mainstream culture.


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