In this movie based on the early days of Def Jam Recordings, up-and-coming manager Russell Walker manages all the hottest acts on the record label Krush Groove Records, which include ...
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Harper's autobiographical novel is almost out, his girlfriend Robin desires commitment, and he's best man at the wedding of Lance, a pro athlete. He goes to New York early (Robin will come ... See full summary »
Eva Dandridge is a very uptight young woman who constantly meddles in the affairs of her sisters and their husbands. Her in-laws, who are tired of Eva interfering in their lives, decide to ... See full summary »
As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.
Eddie Griffin is Miles Waise, a fast rising nightclub comedian. His life is made difficult by his manager, who wants him to sell out for big bucks, and his brother Fifty Dollah, a scheming ... See full summary »
In this movie based on the early days of Def Jam Recordings, up-and-coming manager Russell Walker manages all the hottest acts on the record label Krush Groove Records, which include Run-D.M.C., Dr. Jekyll & Mr. Hyde, and Kurtis Blow, while Rick (Rubin) produces the label's records. When Run-D.M.C. has a hit record and Russell doesn't have the money to press records, he borrows money from a street hustler. At the same time, Russell and and his brother Run both compete for the heart of R&B singer Sheila E.Written by
LL Cool J appears as himself in a scene halfway through the film where he auditions for Rick and the other Krush Groove management team. In that scene, it is presumed that LL Cool J is an unknown. However, near the beginning of the film, when Sheila E. is performing "A Love Bizarre" in a club, the name "LL Kool J" (sic) can be seen written on the chalkboard behind her on stage. The chalkboard is still seen during other performances before LL Cool J makes his appearance. See more »
I'm a big fan of oldskool hiphop, so while not expecting awesome film making, I figured there might be enough in this flick to still keep my interest. However, even though I really wanted to like it, I just couldn't get past all the cheese, poor acting and script. It is basically one big piece of cheesy, blatant self promotion. I still found the Fat Boys mildly entertaining in some scenes, but couldn't stand most of Run DMC and Sheila E.
I can see this movie working for little kids, as a kind of Disneyfied rap flick, but wouldn't recommend it to anyone over the age of 12.
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