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Kojak: The Belarus File (1985)

Not Rated | | Crime, Mystery, Thriller | TV Movie 16 February 1985
Lieutenant Theo Kojak teams up with Dana Sutton, a comely federal agent, to uncover a conspiracy reaching back to the Nazi occupation of the Soviet Union.


Robert Markowitz


John Loftus (novel), Abby Mann (creator) | 2 more credits »

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Cast overview, first billed only:
Telly Savalas ... Lieutenant Theo Kojak
Suzanne Pleshette ... Dana Sutton
Max von Sydow ... Peter Barak (as Max Von Sydow)
Herbert Berghof Herbert Berghof ... Buchardt
Dan Frazer ... Captain Frank McNeil
Betsy Aidem ... Elissa Barak
Alan Rosenberg ... Lustig
Charles Brown Charles Brown ... Captain Julius Gay
George Savalas ... Stavros
David Leary ... Chris Kennert
Harry Davis Harry Davis ... The Rabbi
Rita Karin Rita Karin ... Mrs. Fitzev
Mark Russell Mark Russell ... Saperstein (as Mark B. Russell)
Vince Conti Vince Conti ... Det. Rizzo
Margaret Thomson Margaret Thomson ... Secretary


Lieutenant Theo Kojak teams up with Dana Sutton, a comely federal agent, to uncover a conspiracy reaching back to the Nazi occupation of the Soviet Union.

Plot Summary | Add Synopsis


Not Rated | See all certifications »






Release Date:

16 February 1985 (USA) See more »

Also Known As:

The Belarus File See more »

Company Credits

Production Co:

Universal Television See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:




Aspect Ratio:

1.33 : 1
See full technical specs »

Did You Know?


Last appearance of Dan Frazer as Frank McNeil, George Savalas as Stavros, Mark Russell as Saperstein, and Vince Conti as Rizzo. See more »


Dana Sutton: Who loves ya, baby?
See more »


Followed by Kojak: The Price of Justice (1987) See more »

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User Reviews

Not A Good Follow-Up To The Series
7 October 2011 | by Eric-62-2See all my reviews

Those who were fans of the original "Kojak" series or who have been discovering it anew on DVD thanks to the recent (and long overdue) release of S2 should be forewarned that if they ever come across this TV-movie, the first of the post-series Kojak movies, they will see almost none of what made the series fun. Basically, what has happened is the character of Kojak has been shoehorned into a thin story that has almost nothing in the way of police process but is just an excuse to dramatize the highly suspect arguments of author John Loftus (who I might add has also written some dubious and thoroughly discredited junk trying to link the Bush family to the Nazi regime) about the Americans smuggling in Nazi criminals from Russia after the war. And to bring about this, Telly Savalas has basically been told to forget about playing Kojak the way we always enjoyed watching him (we don't even so much as get one scene of him with a lollipop!). Instead, Kojak is the mouthpiece for some pretentious speech making about America disgracing itself and covering up etc. etc. that frankly comes off as irritating in the extreme. Even though brother George Savalas is back as Detective Stavros (he died not long after this was made), and Detectives Rizzo and Saperstein are still around there's none of the old sense of great camaraderie that existed in the original inside the station that made watching Kojak fun. Dan Frazer as Captain McNeil shows up only in one scene and it's not clear what his position is in the department now since he's no longer Captain at Manhattan South. He's only there for Kojak to vent at.

As for the plot....there were more inconsistencies than I could count. It's predictable from the beginning who the killer is yet for some reason they try to manufacture "suspense" out of this. Then we get an implausible climactic confrontation between the killer and his final target that makes no logical sense whatsoever except to give us the contrivance of a final scene in an interesting locale with Kojak and his new partner Lustig (a stand-in for Crocker, since Kevin Dobson was by now busy with "Knots Landing") situated far back. The pretentiousness to promote dubious scholarship was bad enough, but they couldn't even give us a decent Kojak story in the process (toss in an awful 80s synth score that gets annoying after awhile and it only makes the viewing experience more painful). I love ya Kojak, baby, but not in this silly mess.

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