A terrorist, Rostov, is planning to unleash a reign of terror on the U.S.. But before he does he decides to go after Matt Hunter, a former CIA agent who lives in Florida. Hunter once had Rostov's life in his hands, but on orders took him alive, and now Rostov is plagued by nightmares of Hunter killing him. So Rostov goes after him but misses, so Hunter, who has already been approached by his former employers to go after Rostov, after initially turning down the job, because he believed that they should have let him terminate Rostov when he had the chance, decides to go after him. But he is only one man and Rostov has hundreds of men ripping the country apart, so how will he stop it?Written by
Tomas and his henchman arrive at the strip club in a brown Chevy Camaro, and park beside a red Cadillac. After dispatching some thugs and a prostitute, Hunter breaks Tomas' hand and puts a live grenade in it. Everyone scampers for safety except the wounded Tomas, who throws the grenade through the window. It lands on the Cadillac, blowing it up. The Camaro has disappeared. See more »
[Hunter gives an interview directed towards Rostov]
Nikko was easy. Now it's your turn. One night you'll close your eyes, and when they open I'll be there. It'll be time to die.
See more »
The UK cinema version was cut by 10 secs by the BBFC to remove bullet impacts from a groin shooting and to edit a scene where a woman snorting cocaine through a straw is hit across the head by Rostov. For the video release a further 4 secs were made to edit a scene where a man's hand is impaled to a table with a knife. The cuts were fully restored in the 2004 DVD. See more »
A cheese fan's dream, with Chuck Norris on top form as a gun-toting hardman out to single-handedly stop the invasion of America by those pesky Russians. From start to finish, INVASION U.S.A. is one of Cannon's most outrageous and over-the-top action epics, featuring a plethora of outlandish action scenarios all achieved on what must have been a relatively low budget.
The movie features B-movie stalwart Richard Lynch as a deranged madman out for revenge on our bearded hero. Along the way, Lynch takes care of sleazy coke dealer Billy Drago and his coke-snorting prostitute in one of the most violently laughable set-pieces ever put on film. From then on in, it's Chuck versus the terrorists. Our hero proves fast with his mini machine guns and even faster with his one-liners, dispatching crim after crim in a series of spectacular showdowns. Highlights include the attempted bombing of a school bus and a massive shoot-out in a shopping mall (so good they copied it in Seagal's MARKED FOR DEATH).
Things end with a massive battle that provides a maximum number of explosions for your dollar – even if one scene of an exploding van is repeated three times, each from a different angle in an attempt to make it look like a different vehicle. Supporting characters are wisely kept out of the way, walls are demolished, the scenery-chewing hits an all-time high and Chuck doesn't even attempt characterisation (in fact, he barely even speaks). No, this was the same year that COMMANDO came out and automatic weaponry ruled the box office. It's an action fan's delight, proving far funnier than any mainstream comedy you can name.
14 of 14 people found this review helpful.
Was this review helpful to you?
| Report this