This films tells the true story of seven teenagers who agitated for reduced student bus fares under two different regimes in Argentina, with tragic results. At first succeeding under the ... See full summary »
Alejo García Pintos,
At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things ... See full summary »
Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only ... See full summary »
Alicia Marnet de Ibáñez is a high school history professor and a well-to-do housewife in Buenos Aires, circa 1983, after the fall of the "junta militar" that had taken over the government since 1976. She has a husband, Roberto, who is a succesful lawyer and a five-year-old adopted daughter.Written by
The film was released on 3 April 1985, the same day that the first judgments were made against the military men in Argentina. See more »
Time for bed, Gaby.
Just a little longer. One more story.
The one about the invisible paint? This paint makes things invisible. For instance, we paint your bed and it vanishes. Then mommy will think you're sleeping in mid-air.
Mommy, is she like Dolores? Is she your "divided" friend?
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The 2015 restoration is extended by 2 minutes due to the inclusion of restoration credits at the beginning and end of the film. The opening restoration credits play over the opening scenes in Alicia's classroom. During the restoration end credits, the background goes black and the instrumental version of 'El país de nomeacuerdo' is looped. See more »
I cry each time I watch this film. (The scene with Norma Aleandro and the baby clothes) Always gets me. An American film-maker would have made a film about one of the "desaparecidos" (disappeared ones) - but Puenzo is too sharp for that - by making a film about one of the quietly complicit, he has indicted all of us who are aware that things aren't quite right in the world, but choose to ignore the fact...and do nothing. Devastating, political and yet personal. My all-time favorite film.
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