After a new neighbor moved into the house next door, Charley discovers that he is an ancient vampire and goes in search for the help of Peter Vincent, a famous "vampire killer" to save his neighborhood from the creature.
For young Charley Brewster, nothing could be better than an old horror movie late at night. Two men move in next door, and for Charley with his horror movie experience, there can be no doubt that their strange behavior is explained by the fact that they are a vampire and his undead day guardian. The only one who can help him hunt them down is a washed-up actor, Peter Vincent, who hosts Charley's favorite TV show, Fright Night. Vincent doesn't really believe that vampires exist, but does it for the money...Written by
Jonathan Stark auditioned with the scene where he's being questioned by the detective. The scene was written to be played straight, but Stark decided to play it comically, which won him the role. See more »
When Peter Vincent discovers that Sarandon's character is a vampire because he does not see his reflection in the mirror, Sarandon's partner vampire does have a reflection. This breaks the vampires have no reflection convention. See more »
[Evil Ed asks Charley if Amy found out what he's really like]
So, did she find out what you're really like?
Get lost, EVIL!
Oh, call me anything you want. Only you're the one failing trig, not me.
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Just as the screen cuts to black at the end, Evil Ed can be heard saying "your so cool Brewster!" See more »
The Swedish version (cinema and video) misses the following: The transformation scene with Ed was removed (1m 50sec), and the scene where Dandrige's assistant melts was shortened by 16 sec. See more »
offbeat, cool, sexy and very 80s vampire tale (my favourite yet)
Before I first watched Fright Night, I admit I was unsure about what to think about it. All I knew about it was from what I had been told from my Dad (though his likes/dislikes are generally on par with mine, they sometimes border on plain stupid). But when I saw it to the end, I was almost totally converted.
Although the beginning is a bit cheesy and reminiscent of stereotypical horror B-movies, it soon becomes clear that this is part of what makes Fright Night so original. All the typical horror film genres are there: horror, romance, comedy (well maybe comedy isn't a typical horror element); but what makes this horror flick stand out a mile-and-a-half from the rest is that it's a very offbeat tale. It's creepily cheesy but gets away with it because it's atmosphere is so good.
All this and I haven't mentioned the acting or special effects yet. Sarandon seems to give such an effortless performance as the vampire and as a result is almost perfect. I had thought of what a modern day vampire would be like before I saw Fright Night; but Jerry Dandridge just blew all these ideas away and has to be the coolest (and I don't often use that word) and sexiest vampire ever, and is one of my favourite movie villains. Roddy McDowall can't hold a candle to Sarandon but is still very good, and Stephen Geoffreys is one of the funniest and memorable movie characters ever to grace a film screen too.
The special effects are good for 1985 and unlike where in modern films the SFX are the main point in the movie, here they add to the already present chilling atmosphere. And although on the one hand, Fright Night is quite dated, it also captures the atmosphere and the essence of the 80s. The soundtrack is excellent for the film, but paradoxically not very memorable (apart from one or two good songs).
[I wish I'd been born before 1981 (maybe 1961) so that I could have lived in the late-70s and 80s, and would have memories of the best music from that time, and not the boybands/Beatles clones/dance ditties (not decent tunes mind) we have now.]
All in all an (almost) perfect film: watch it and you'll (most likely) enjoy it and watch it again and again.
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