6.1/10
1,923
11 user 14 critic

Fool for Love (1985)

R | | Drama | 14 May 1986 (France)
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.

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(play), (screenplay)
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1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
... Eddie
... May
... Old Man
... Martin
Martha Crawford ... May's Mother
Louise Egolf ... Eddie's Mother
Sura Cox ... Teenage May
Jonathan Skinner ... Teenage Eddie
April Russell ... Young May
Deborah McNaughton ... The Countess
Lon Hill ... Mr. Valdes
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Storyline

May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

14 May 1986 (France)  »

Also Known As:

Extraña pasión  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$55,637, 8 December 1985, Limited Release

Gross USA:

$836,156
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

One of a number of filmed adaptations of plays made by director Robert Altman during the 1980s. See more »

Quotes

May: Do you want me to finish the story, Eddie?
See more »

Connections

Featured in Altman (2014) See more »

Soundtracks

It Comes and Goes
Written and Performed by Sandy Rogers
Produced by Jim Gaines
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User Reviews

 
Interesting, worthwhile, if not totally successful adaptation of the play.
20 August 2010 | by See all my reviews

Interesting, laid back version of the Shepherd play. On stage, with Ed Harris in the lead, it was all frenetic energy and danger. Here the piece is more moody and dreamlike. At times that works tremendously well, and it is visually beautiful. The play has been opened up in a way that feels natural and not forced. And the use of narration is very interesting and productively unsettling, since the memories we see do not quite match the words we hear.

On the other hand, the slower pace makes the writing feel more melodramatic and almost old- fashioned in its twists. And Shepherd is nowhere near as interesting as Harris was on stage. We never feel that he is really dangerous. He comes off more as a love-struck kid than obsessed man. And it ends with a whimper, not a kick. Still, there are plenty of less interesting theater to film adaptations out there.


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