Irwin "Fletch" Fletcher, Los Angeles journalist, really lives for his profession. As Jane Doe, he publishes articles that have caused several heads to roll in the past. Now, Fletch is at it again: In disguise as a bum, he lives at the beach, researching drugs and their dealing. One day, Fletch is addressed by Alan Stanwyk, a rich man, who asks him, the bum, a favour. For the sum of $50,000, Fletch should kill poor cancer-ridden Mr. Stanwyk with a gun, so that his wife will get the insurance money. What the guy didn't think of was Fletch's real profession. Returning into normal life, Fletch instantly takes up research not only to find out that Mr. Stanwyk is healthy as life itself but he also runs into certain connections between drug dealing at the beach, Alan Stanwyk, his private jet, the police and a very expensive piece of Land in Utah.Written by
Julian Reischl <email@example.com>
Fletch. Until last week, he was just another mild-mannered reporter fighting for truth, justice and a window office. Now he's being threatened, shot at, accused and arrested. And that's by the people he's trying to help. But there's still one thing even more dangerous than his work. His love life. See more »
When Fletch tells Frank that he is quitting, he says that he's going to try out for the Lakers, because, according to Fletch, "they need a good power forward". In 1985, the Lakers' Power Forward was Mitch Kupchak, who would go on to become the General Manager of the Lakers. See more »
When Fletch goes to the airport ticket counter, the ticket agent advises Fletch that the reservation is under the name of "Alan Stanwyk", but Alan's scheme is to kill Fletch's alter ego, Ted Nugent, and then fly to Rio with his passport. See more »
(singing)Strangers in the night, exchanging clothing, strangers in my pants...
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In the DVD version, at least, Fletch's line "Uh oh - better get Maaco" (when the police car pursuing him flips over) is shortened to simply "Uh oh". See more »
Chevy Chase's finest comedy. It's the part that he really sunk his teeth into. It's a perfect blend of humor, mystery and drama. Although Chase gets more mileage out of it because of the laughs, it's an intriguing character in all respects.
Michael Ritchie directs nicely and the supporting cast works well, particularly Libertini as Fletch's noisy and brassy editor in chief. This is a film that is filled with more classic one liners than any film in the 1980's. It's one that makes us miss the old Chase and wonder why he's planning to make yet another "Vacation" movie.
We miss you, Chevy!
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