7.1/10
171
3 user 2 critic

Extramuros (1985)

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5 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Carmen Maura ... Sor Ana
Mercedes Sampietro ... Sor Ángela
Aurora Bautista ... La Priora
Assumpta Serna ... La Huéspeda
Antonio Ferrandis ... El Médico
Manuel Alexandre ... Capellán
Conrado San Martín
Valentín Paredes Valentín Paredes
Marta Fernández Muro
Beatriz Elorrieta Beatriz Elorrieta ... Monja
Cándida Losada ... Monja
Maite Brik Maite Brik ... Monja
Amparo Valle Amparo Valle ... Monja
Maria Caro Maria Caro ... Monja
Mari Paz Molinero Mari Paz Molinero ... Monja
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Storyline

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Genres:

Drama | Romance

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Details

Official Sites:

Frameline Home Video | Press kit

Country:

Spain

Language:

Spanish

Release Date:

28 June 1991 (USA) See more »

Also Known As:

Extramurals See more »

Company Credits

Production Co:

Blau Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color
See full technical specs »
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Did You Know?

Connections

Referenced in Miguel Picazo, un cineasta extramuros (2016) See more »

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User Reviews

 
Are they lesbians?
9 February 2009 | by adrian_1976See all my reviews

I believe there's a little mistake in the previous comment. Carmen Maura doesn't play the nun who fakes the stigmata. She's Mercedes Sampietro's accomplice on that. As to the matter of lesbianism, I'm not quite sure that they are sexually-active lovers. They love each other, there's no discussion about it but I think being XVI century's Spanish nuns they don't even conceive the idea of being engaged in a carnal-love relationship. They are two women who loves each other beyond reason or lust. Sex is just the consequence to all that. I don't agree either on the motive to fake the stigmata. In my opinion they do it not just to stay together, although that has an important weight on the matter, but to guarantee the subsistence of the community (wich is the word they use when they talk about the nun's sisterhood). I think power, subsistence and greed, as well as love, are central in this film. This is the problem with masterpieces, they have so much subtext as viewers or readers opinions on them. It's what caught one's eye what one sees.


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