Boldly unconventional and cheerful, that's how one could describe Babou. Never having cared about social conventions, she is suddenly faced with the realization that her own daughter is ... See full summary »
A man and a woman go out on a "big" third date. He's ashamed to admit he just lost his job, and she's afraid he'll run away if he finds out that she has a kid. Small lies lead to bigger ones and the night gets crazy very soon.
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Vampish miss Dolan hires hardboiled P.I. Harry Dobbs to tail her shady boyfriend. Harry realizes that the man leads a double life but then his client disappears. Harry teams up with his own tail, P.I. Stella Wynkowski, to clear things up.
A hit song is the inspiration for this movie. In 1948, an aspiring songwriter, Tony, is working as a pianist in a bar; he meets Lola who wants to make it in show business. Tony is immediately smitten with the beautiful woman. At Manhattan's Copacabana lounge, they both start finding fame. However, fate steps in and she is swept to Havana to work in a splashy night club act where she is convinced she will find her stardom. Instead she finds Rico, a suave gangster who manages the club.Written by
John Sacksteder <firstname.lastname@example.org>
I saw this movie when it first came out in and again several years later, on CBS also. Well the 2nd time around it was horribly butchered clearly to put its run time under 2 hours and stuff it full of commercials. I've been trying to find it that longer version for years cause yeah hey, Barry's on screen for more than an hour; I can live with that .
Okay Barry's passable actor. He's not as good as Gene Kelly but not as dismal as Neil Diamond (Two minutes of the "Jazz Singer" remake with Diamond on screen was all I could stomach). It has the distinction of being of 4 TV movie musical I could tolerate. The musical numbers are above average and the setting (refetrring to the time period) has a more authentic look than many movies over the last 20 years taking place in the 40s or 50s. Baring that sad ending; it brought back to mind MGM musicals.
My gripe with this movie, why I'm giving it an 8 is Tony, the character Barry plays--What (acting) reach is he doing??? He's playing himself! Manilow nut me has read books about him, every article I could get my mitts on and the background story is his life with a little tweaking here and there. Wish he had put himself in another movie genre first. As good entertain as it was, the chosen role for his debut was not a very good one.
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