The Color Purple

Alice Walker's epic novel is put on the big-screen by director Steven Spielberg and the results are excellent. The film deals with the maturity and independence of a mistreated black woman (Whoopi Goldberg in an Oscar-nominated role) from the years 1909 to 1947. The audience gets to experience all of her triumphs and tragedies through the film's running time. A very strong cast of supporting players make the film memorable as well. Danny Glover, Adolph Caesar, Rae Dawn Chong, Margaret Avery, and Oprah Winfrey (the last two Oscar-nominated) all shine with the great screenplay and Spielberg's subtle direction. Somewhat forgotten on Spielberg's list of credits, but still one of his very best films. 5 stars out of 5.

Simply beautiful really is the only way to describe such a wondrous film, one which warms the heart, nourishes the soul, and brings a tear to the eye. This statement is neither hyperbolic nor exaggerated, one of many reasons I suggest you see this film.

The film opens in 1909 when Celie (Whoopi Goldberg in her feature film debut) as a young girl, as well as a victim of incest, impregnated by her father. Unattractive and unloved, separated from her beloved sister and children, Celie has no other option than to be wedded to an abusive, impoverished, and philandering husband named Albert (Danny Glover), a man who treats her no better than a slave. However, Celie's life forever changes when Albert returns home in accompaniment with his mistress Shug (Margaret Avery), a beautiful Blues singer.

In spite of the seemingly hopeless situation the film's plot provides Celie with, the Color Purple is not a tale of her despair, but rather her triumph, one which is immensely inspiring. Stellar in every aspect this film is, including Stephen Spielberg's highly credible direction, the acting, especially of the four most prominent stars: Whoopi Goldberg, Oprah Winfrey (both quite impressive in their debuts), Danny Glover, and Margaret Avery, the plot, etc. As one of my most revered novels and films, I definitely recommend the Color Purple.

Grade: A+

Beautiful adaptation of Alice Walker's riveting novel that captures your heart and soul with each frame. The cast of Goldberg, Glover, Winfrey and Avery are amazing and director Speilberg brings us into their lives with care and with passion. Snubbed at Oscar time, this is one of Speilberg's most important films.

A film that can make you shed tears of sadness and tears of joy would be considered quite a step in the career of a common filmmaker. The fact is, Steven Spielberg, probably our greatest story-teller, has been doing this in various movie formats for years. THE COLOR PURPLE, at the time, was considered risky, especially after action classics like JAWS and RAIDERS OF THE LOST ARK. In hindsight, this film should have come as no surprise, for Spielberg had made us cry tears of joy and sadness in E.T. Critics called COLOR PURPLE his entrance into intellectual fare. It is quite an entrance. No special effects, no swashbuckling, just brilliant story-telling based on a literary classic by Alice Walker. One surprise is how Spielberg could present such a moving film about African-Americans in the deep south. Slavery is gone, but in the south depicted here, it seems as though blacks are using other blacks as slaves.

Spielberg is always put down for sentimentalizing his pictures or adding an element of childishness to please the audience. This is really the first of overlooked films from his career that you cannot make these observations. It is the first in a line of films people either didn't see or wouldn't see because there are no aliens. EMPIRE OF THE SUN, ALWAYS, SCHINDLER'S LIST, etc.. His awesome talent is obvious with this specific picture because A) he uses mostly untrained, first-time actors, B) he tackles a subject most felt was unadaptable to the screen, and C) it is pure drama with no strings pulled where characters grow and change over the passage of roughly 30 years. It is almost epic-like in look and scope and the fact that it did not garner a single Academy Award from 11 nominations is a travesty and an insult.

Whoopi Goldberg is fabulous as the tortured Celie, an unattractive woman given away by her incestuous father to an abusive Danny Glover, who she only knows as "Mister". The film follows a path of occasional beatings and mental torture she goes through while with "Mister". The PG-13 rated film is pretty open to the sexual issues raised by the Walker novel. This is not "The Burning Bed" in Georgia by any means. There is no blatant revenge taken as might be expected. It happens gracefully. Goldberg perfectly plays a human being, someone in need of love and someone who deserves it. The films' most poignant and heartbreaking moment comes when Goldberg and her sister, Nettie (played by Akosua Busia) are separated, maybe forever. (Possibly foreshadowing Holocaust separation of child and parent?) You may have to check for a pulse if you are not moved by this sequence.

The color purple stands for the beauty of the fields and flowers surrounding these poor people. There really is something to live for, but love triumphs over all. Spielberg bashers take note: the guy can make an unforgettable classic without any cute aliens.

RATING: 10 of 10

Steven Spielberg, proving he's one of the few modern filmmakers who has the visual fluency to be capable of making a great silent film, took a melodramatic, D.W. Griffith-inspired approach to filming Alice Walker's novel. His tactics made the film controversial, but also a popular hit. You can argue with the appropriateness of Spielberg's decision, but his astonishing facility with images is undeniable--from the exhilarating and eye-popping opening shots of children playing in paradisaical purple fields to the way he conveys the brutality of a rape by showing hanging leather belts banging against the head of the shaking bed. In a way it's a shame that Whoopi Goldberg, a stage monologist who made her screen debut in this movie, went on to become so famous, because it was, in part, her unfamiliarity that made her understated performance as Celie so effective. (This may be the first and last time that the adjective understated can be applied to Goldberg.) Nominated for 11 Academy Awards, including best picture and actress (supporting players Oprah Winfrey and Margaret Avery were also nominated), it was quite a scandal--and a crushing blow to Spielberg--when it won none.