Danny O'Brien is back in action fighting the notorious Simon Moon, also known as The Terror. Three years earlier O'Brien had single-handedly captured The Terror and was called Hero by the ... See full summary »
Prequel to the first Missing In Action, set in the early 1980s it shows the capture of Colonel Braddock during the Vietnam war in the 1970s, and his captivity with other American POWs in a brutal prison camp, and his plans to escape.
Sean Kane is forced to resign from the San Francisco Police Department's Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail... See full summary »
Eddie Cusack is a Chicago police officer about to bust some members of the Comacho gang when the gang is shot up by a rival drug gang from the neighboring building, led by Tony Luna. Victor Comacho is the only survivor of the Comacho gang and his older brother, Luis, who is the leader of the gang, retaliates by killing Luna's family and kidnaps Luna's daughter, Diana. Cusack must face Tony Luna and Luis Comacho alone because nobody on the police force is willing to help him since he was the only cop who broke the code of silence by testifying against a fellow cop who killed an unarmed teenager, but Cusack is not really alone. A police robot called "Prowler" aides Cusack as he takes down the gangs.Written by
When Diana Luna is chased by Comacho's goons into an alley and cornered near a dumpster, a red delivery truck with "CSX Delivery" painted on the back door can be seen in the background in one shot, is gone in the next shot, and returns in the following shot. See more »
[Camacho and Cusack run into each other in a public building]
One day, I would like to give you a gift of a Columbian necktie.
[his underlings laugh]
It's very special. You slit the throat, pull out the tongue and on you...
it would look beautiful.
Why don't you give it to me right now?
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Good,No-nonsense butt-kicker that's kinda been forgotten
To me,it's kind of unfortunate that many people,when people mention the name Chuck Norris think mostly of "Walker:Texas Ranger"(if they're not thinking of the barrage of Internet facts and the Home Gym infomercials he's been doing with Christie Brinkley),which is a shame. "Walker..." may've offered people who enjoy their television simple,straight-forward and moralistic(not to meniton full of round-house kicks),but to me,Mr.Norris seems better suited for movies,where his quiet,confident and likable minimalism as an actor--which perfectly balance his awesome fighting skills--can go from introduction through denouement of a three-to-four act movie involving situation,rising tension,action,climax and conclusion,all in the tight space of two hours or so(As opposed to a recurring character over the space of twenty-plus episodes per season). But that's just my humble Opine.
THis story isn't particularly taxing,as following suit with many of this genre: Tough,upright,fair and moral Chicago Sgt.Eddie Cusack(guess who?)has two looming problems on his hands--an IAD investigation into the shooting of a young boy in the projects involving two of his undercovers,one of whom becomes his de facto partner,and a gang war brewing between Italian and Bolivian(?) drug-families,which has him becoming the guardian of a scared Mafia princess(Molly HAgan). Cusack'll need his not only his toughness but also his wits(And a police robot,to boot)to play both families(the Latino family led by Henry Silva,a piece of excellent casting) off each other AND dodge the repercussions of bitter,corrupt fellow cops to make sure that justice is preserved and the innocent young woman in his care is not made yet another mob war casualty.
Directed by rising star director Andrew DAvis(in another seven years,he'll helm the surprise hit "UNder Siege" and in eight,the blockbuster "The Fugitive"),this show uses A lot of Chicago--it's scenery,it's landmarks,neighborhoods and(last but not least)it's actors,none the least of which is someday acting staple but then former Chicago cop himself Dennis FArina(As Chuck's easy-going partner and erstwhile comic relief)--and it's all used to very good effect. About the only thing that doesn't cut muster here is the almost CAsio-like music that scores this,but being that this was a 1985 release,I'm figuring that this show was no more or less guilty of that than most films of the era. I got this movie out of the cheap,cheap CHEAP bin at the local music and movie resold store,and I must say that it better than makes up for the price paid. This film's been swept under,but to me,coupled with such lost classics as "The Octagon","Lone Wold McQuade" and "Eye for an Eye" are definitely worth your Norris film library,if you are so inclined to start one,of course.
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