Critic Reviews

37

Metascore

Based on 13 critic reviews provided by Metacritic.com
63
Miami Herald
Pryor and director Walter Hill do a competent job collaborating on comic pace in Brewster's Millions. But the screenplay by Herschel Weingrod and Timothy Harris isn't audacious enough to twist the ending and let Pryor's character grow. Brewster's Millions is a pleasant summer laugh, but it's not comedy that bites.
60
Empire
A satisfying come-down by the director, who stays safely within, rather than pushes against comedy conventions.
60
Washington Post
It's an amusing vehicle for Pryor and Candy, amiable partners wallowing in monetary ecstasy. [24 May 1985, p.25]
50
Chicago Tribune
Brewster's Millions is a PG film, and the humor is sanitized. Pryor grins, Candy gurgles and we sit there stone-faced noticing all the holes in the plot. Once Pryor figures out a clever way to spend money by using rare stamps on letters, why doesn't he keep on doing it? Yes, that might make for a short movie, but given the way Brewster's Millions turned out, it would be no great loss. [22 May 1985, p.3]
40
It’s hard to believe a comedy starring Richard Pryor and John Candy is no funnier than this one is, but director Walter Hill has overwhelmed the intricate genius of each with constant background action, crowd confusions and other endless distractions.
40
Normally, this situation comedy would provide its own built-in laughs, but here the situations are dominated by Pryor's forced, manic behavior, which removes him from empathy and offers the subservient story nothing more than casual interest.
40
The ideas here aren't nearly up to the scratch that writers Herschel Weingrod and Timothy Harris established in Trading Places.
40
Brewster's Millions isn't bad so much as flat. And flat comedy has about the appeal of flat champagne.
30
The film does nothing to accommodate Mr. Pryor's singular comic talents...It keeps the crazy premise but does away with such essential ingredients as funny material and antic timing.
20
Dim, compromised, and dead on arrival.

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