Sam Lowry (Jonathan Pryce) is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle (Brian Miller), Lowry meets the woman he is always chasing in his dreams, Jill Layton (Kim Greist). Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and Sam and Jill's lives are put in danger.Written by
Philip Brubaker <firstname.lastname@example.org>
In preparation for the role, Robert De Niro witnessed neurologists performing brain surgery, because he likened his character's job to that of a brain surgeon. See more »
When Sam is in Helpmann's office looking at the printer, pre-printed text can clearly be seen on the feeder roll. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
Sidney Sheinberg's name is listed in the credits next to Worst Boy. Terry Gilliam and Sheinberg fought notoriously over the content and release of the film. See more »
The European version contains a few changes from the American release:
Shortly before the troops storm Mrs. Buttle's home, her daughter says to her "Father Christmas cant come if you haven't got a chimney." Mrs. Buttle replies with "You'll see."
A brief scene involving Sam and his mother Ida entering the restaurant where they meet Mrs. Terrain and Shirley. They have to pass through a metal detector in order to gain entrance, and Ida's present to Sam (one of the "Executive Decision Makers", seen later in the movie) sets off the alarm.
Part of the beginning of the first "Samurai" dream sequence, where Sam explores through the concrete labyrinth he finds himself in. In the European release, the Samurai sequence is one long sequence, whereas in the American version is is divided into three separate sequences.
A scene where Sam and Jill lie in bed after the implied consummation of their relationship. Jill has taken off the wig she was wearing in the scene before, and has a pink bow tied around her naked body. She says to Sam: "Something for an executive?" and he unties her.
The "Interrogation" scene, where Sam is charged with all of the violations of the law he committed throughout the film, including "wasting Ministry time and paper."
The "Father Christmas" scene where Helpmann visits Sam after his booking, Helpmann is dressed as Santa Claus. Among other things, Helpmann informs Sam that Jill Layton has been killed... twice.
The European release begins abruptly with the 'Central Services' advert about ducts, and ends with a held shot of Lowry in the cooling tower. No clouds.
When Sam goes back to the MOI building after taking Jill to his mother's apartment, action between his conversation with Dawson in the lobby and his walk down the stairs is missing, so we don't see his mode of action and we miss a revealing near-encounter with Harvey Lime.
Brazil(1985) is a great SCIFI feature that's one of the most visually rewarding films to watch. The movie deals with a computer error that causes havoc for the protagonist, Sam Lowry. Sam Lowry is someone who dreams of living as an individual, away from the system of Big Brother. The movie is heavily influenced by George Orwell's classic novel, 1984. Brazil(1985) is the closest thing to a perfect adaptation of 1984 for the big screen.
Brazil(1985) is more well known for what happened behind the scenes than anything that happens in the film. There was a bitter battle between the director and producer that ended up in the cutting of the film much to Terry Gilliam's disapproval. As a result there are three cuts of the film(director, studio, TV). I've seen both the 142Minute and 132Minute version. In my opinion, the 142Minute edition is the definite one to watch.
Jonathan Pryce as Sam Lowry does a great act in showing someone who is imprisoned by the system. Robert De Niro plays Sam Lowry's alter ego, Harry Tuttle in an eccentric role for the actor. At first De Niro wanted the role of Sam's best friend but instead got the role of the spy Harry Tuttle. The film retains the forbidden love affair between Sam Lowry and Jill Layton that is an important element in 1984. A lot of scens that involved Kim Griest were cut due to the dissatifaction of her performance from the director.
Brazil(1985) is Terry Gilliam's masterwork and a well directed piece by the filmmaker himself. The set designs are dazzling and the depiction of city life is nothing short of amazing. The title song is one of the most famous tunes. Much better then 12 Monkeys(1996) because this is a more complete film. Brazil(1985) is part of a trilogy that includes Time Bandits(1981) and The Adventures of Baron Munchausen(1988).
This trilogy is really about the progression of life that begins in Childhood, continues in Middleage, and ends with Old age. Brazil(1985) is really about the uncertainties of middleage. The samurai dream sequences are a marvalous example of the symbolisms they provide for the movie. Bob Hoskins gives a dark humorous act as a government plumber. The dream sequences with Sam Lowry and his dream girl are beautifully romantic.
210 of 313 people found this review helpful.
Was this review helpful to you?
| Report this