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Brazil (1985)

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A bureaucrat, in a retro-future world, tries to correct an administrative error and becomes an enemy of the state.

Director:

Terry Gilliam

Writers:

Terry Gilliam (screenplay by), Tom Stoppard (screenplay by) | 1 more credit »
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Popularity
1,954 ( 40)
Nominated for 2 Oscars. Another 8 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jonathan Pryce ... Sam Lowry
Robert De Niro ... Harry Tuttle
Katherine Helmond ... Mrs. Ida Lowry
Ian Holm ... Mr. Kurtzmann
Bob Hoskins ... Spoor
Michael Palin ... Jack Lint
Ian Richardson ... Mr. Warrenn
Peter Vaughan ... Mr. Helpmann
Kim Greist ... Jill Layton
Jim Broadbent ... Dr. Jaffe
Barbara Hicks ... Mrs. Terrain
Charles McKeown ... Lime
Derrick O'Connor ... Dowser
Kathryn Pogson Kathryn Pogson ... Shirley
Bryan Pringle ... Spiro
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Storyline

Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger. Written by Philip Brubaker <coda@nando.net>

Plot Summary | Plot Synopsis

Taglines:

Have a laugh at the horror of things to come. See more »

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for some strong violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

18 December 1985 (USA) See more »

Also Known As:

Brasil See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$30,099, 22 December 1985, Limited Release

Gross USA:

$9,929,135
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (edited) | (director's cut)

Sound Mix:

Dolby Stereo

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

During the time when the studio was blocking the release of the film, and were re-editing it for the infamous "Love conquers all" version, copies of the Director's Cut were circulating on video around Hollywood. At one point, several critics began asking if a film that had been completed, but not released, could be eligible for a Best Picture Oscar. It's said that the potential embarrassment of this happening forced the studio to release the original version, instead of their new one. See more »

Goofs

After the bombing in the mall (when Jill is holding the suspicious package), Sam Lowry gives his coat to a wounded woman and is apprehended shortly after. In the next scene in the back of the paddy-wagon, Sam is wearing the coat again. See more »

Quotes

[first lines]
Singers: [TV commercial jingle] Central Services: We do the work, you do the pleasure.
TV commercial pitchman: Hi, there. I want to talk to you about ducts.
See more »

Crazy Credits

Sidney Sheinberg's name is listed in the credits next to Worst Boy. Terry Gilliam and Sheinberg fought notoriously over the content and release of the film. See more »

Alternate Versions

The American release has a few scenes that are not present in the European one.
  • There are clouds that open and close the film in the American Release. Some of the footage of these clouds was extraneous footage from The NeverEnding Story.
  • After watching Mrs. Lowry's first plastic surgery treatment, Sam exclaims "My god, it works!"
  • Jack says "You look like you've seen a ghost, Sam..." to Sam at the entrance of the Ministry of Records when Sam sees Jill Layton.
See more »


Soundtracks

Flying Messenger
(uncredited)
Music by Oliver Armstrong (i.e. Graham Whettam)
De Wolfe Music
(music for the western movie)
See more »

Frequently Asked Questions

See more »

User Reviews

 
a masterwork
6 December 2004 | by PAUL_HESLEPSee all my reviews

Brazil is a true masterpiece. Like something that was wrenched from the surreal dreams of Salvidore Dali, images in this movie are dark, funny, disturbing, thought-provoking, and profound, all at the same time. This is truly a movie you can watch multiple times and find new themes each time. When it was released, it had some important things to say. Today, in our society that is scared into semi-paralysis by the threat of terrorists and the overly oppressive response of our own government, this movie is more relevant than ever. If yoy pay attention, you may actually walk away from this movie with a profound sense of understanding. Most everyone I have recommended this movie to has been deeply moved in some way by it. This movie should be required viewing!


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