A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
Sam Lowry is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle, Lowry meets the woman he is always chasing in his dreams, Jill Layton. Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and both Sam and Jill's lives are put in danger.Written by
Philip Brubaker <email@example.com>
Terry Gilliam credits Tom Stoppard with the idea of having a dead beetle fall into the computer and cause the typographical mistake that leads to a man's death, and the entire sequence of events in the film. See more »
When Sam falls over Jill's truck's hood, she walks around and sees his right foot hanging on top of the grille over the truck's fog/turn lights. But when the angle reverses to show her, his foot is resting on the bumper, in front of the grille. See more »
[TV commercial jingle]
Central Services: We do the work, you do the pleasure.
TV commercial pitchman:
Hi, there. I want to talk to you about ducts.
See more »
The only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format. See more »
The Criterion LaserDisc and DVD version contains both the Sheinberg/TV/"love conquers all" version and what Terry Gilliam believes to be the "final director's cut" (142 minutes). The Universal "bare-bones" DVD contains only the longer version (though it is misidentified on the DVD cover as the American cut)." See more »
Brazil is a true masterpiece. Like something that was wrenched from the surreal dreams of Salvidore Dali, images in this movie are dark, funny, disturbing, thought-provoking, and profound, all at the same time. This is truly a movie you can watch multiple times and find new themes each time. When it was released, it had some important things to say. Today, in our society that is scared into semi-paralysis by the threat of terrorists and the overly oppressive response of our own government, this movie is more relevant than ever. If yoy pay attention, you may actually walk away from this movie with a profound sense of understanding. Most everyone I have recommended this movie to has been deeply moved in some way by it. This movie should be required viewing!
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