A bureaucrat in a dystopic society becomes an enemy of the state as he pursues the woman of his dreams.

Director:

Terry Gilliam

Writers:

Terry Gilliam (screenplay by), Tom Stoppard (screenplay by) | 1 more credit »
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Popularity
1,552 ( 12)
Nominated for 2 Oscars. Another 8 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jonathan Pryce ... Sam Lowry
Robert De Niro ... Harry Tuttle
Katherine Helmond ... Mrs. Ida Lowry
Ian Holm ... Mr. Kurtzmann
Bob Hoskins ... Spoor
Michael Palin ... Jack Lint
Ian Richardson ... Mr. Warrenn
Peter Vaughan ... Mr. Helpmann
Kim Greist ... Jill Layton
Jim Broadbent ... Dr. Jaffe
Barbara Hicks ... Mrs. Terrain
Charles McKeown ... Lime
Derrick O'Connor ... Dowser
Kathryn Pogson ... Shirley
Bryan Pringle ... Spiro
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Storyline

Sam Lowry (Jonathan Pryce) is a harried technocrat in a futuristic society that is needlessly convoluted and inefficient. He dreams of a life where he can fly away from technology and overpowering bureaucracy, and spend eternity with the woman of his dreams. While trying to rectify the wrongful arrest of one Harry Buttle (Brian Miller), Lowry meets the woman he is always chasing in his dreams, Jill Layton (Kim Greist). Meanwhile, the bureaucracy has fingered him responsible for a rash of terrorist bombings, and Sam and Jill's lives are put in danger. Written by Philip Brubaker <coda@nando.net>

Plot Summary | Plot Synopsis

Taglines:

It's only a state of mind. See more »

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for some strong violence | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Archibald Buttle's wife's name is Veronica. A reference to Archie and Veronica of Archie Comics. See more »

Goofs

When Harvey Lime goes to use his computer to look up Jill, as the camera moves forwards it hits Lime's desk and makes a loud audible thudding noise. See more »

Quotes

[first lines]
Singers: [TV commercial jingle] Central Services: We do the work, you do the pleasure.
TV commercial pitchman: Hi, there. I want to talk to you about ducts.
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Crazy Credits

The closing shot of Lowry incarcerated humming to himself provides the backdrop for the end credits. See more »

Alternate Versions

The American release has a few scenes that are not present in the European one.
  • There are clouds that open and close the film in the American Release. Some of the footage of these clouds was extraneous footage from The NeverEnding Story.
  • After watching Mrs. Lowry's first plastic surgery treatment, Sam exclaims "My god, it works!"
  • Jack says "You look like you've seen a ghost, Sam..." to Sam at the entrance of the Ministry of Records when Sam sees Jill Layton.
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Connections

Referenced in Cypher (2002) See more »

Soundtracks

As Time Goes By
By Herman Hupfeld
© 1931 (Renewed) Warner Bros Inc. All Rights Reserved.
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User Reviews

 
Perhaps the most imaginative and entertaining nightmare ever put on film
11 November 2015 | by gogoschka-1See all my reviews

A virtual celebration of writer/director Terry Gilliam's singular creative vision and seemingly limitless imagination, Brazil is a unique movie experience. And it is kind of hard to put the label of any one particular genre on the film; it's generally referred to as "dystopian science fiction" (which certainly isn't wrong), but it's also a satire, a drama, a black comedy and perhaps even a fantasy film. Like many other dystopian sci-fi films (e.g. Fahrenheit 451, Equilibrium, The Hunger Games), Brazil depicts a totalitarian society, but that's about as far as the similarities with other films go.

The whole design of Brazil's crazy world is unlike anything I've ever seen in other movies (with the exception perhaps of those made by the same filmmaker). Where films with similar themes typically go for a futuristic look that is defined by all the technological advancements the writers and filmmakers can dream of, Terry Gilliam chooses the complete opposite direction. In his film, technology seems to have made no progress since somewhere around the forties or fifties, and what technology there is doesn't exactly look very reliable. And unlike other dystopian films, it's not primarily the bleak aspects of a totalitarian society Gilliam wants to explore; in his film, he wants to show how hilariously insane, inept and ridiculous many of the mechanisms and instruments of oppression truly are. In that sense, Brazil is mainly a satire (at least that's how I perceive it), and it is often either darkly funny or downright hilarious.

There is simply not a dull moment in the film: it's a wild ride that never lets up and almost every image on the screen practically bursts with clever (often hilarious) details; from the way food is served in restaurants to how the benefits of plastic surgery are presented, Gilliam's imagination can only be marveled at. His vision of a bureaucracy gone mad is probably the most entertaining nightmare ever put on film (I'm talking about the director's cut, of course). A masterpiece that gets even better after repeat viewings: 10 stars out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/


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Frequently Asked Questions

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Details

Country:

UK | USA

Language:

English

Release Date:

18 December 1985 (USA) See more »

Also Known As:

Brazil See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$30,099, 22 December 1985

Gross USA:

$9,929,135

Cumulative Worldwide Gross:

$9,949,953
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (edited) | (director's cut)

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
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