The Black Cauldron

"The Black Cauldron" certainly doesn't fall into the genre of animated Disney family favorite, but instead feels much like the more grim and complicated fantasy films that were made in the eighties. Does it stack up to such films as "Return To Oz" and "The Dark Crystal"? Well, although not as complex as the aformentioned, this film is not without its charm.

The story of Taran, the pig-keeper's journey from gawky boy to gawky boy-hero apparently works better as told through the course of five books, and indeed it is the plot that feels put together, with a lot cut out of it for it's slim 1:20 running time. Also suffering because of the short time is any character development, or a reason why the charcter of Dallben (an old minstrel) are in the film at all. However, this film still has a lot going for it.

The film has a wonderful pacing to it with some fantastic action scenes. It is adventurous and fun. An engaing film for any fantasy fan. What really makes the film though is it's terrifying and dastardly villain, The Horned King. He is basically a Skeletor knock off with absolutely no sense of humor. He looks like he stepped right out of an Iron Maden album cover, and that is a monumental good thing. The true threat felt by the presence of this decidedly un-Disney character keeps the tension of the film high.

It is this contrast, between the unconventionally ghoulish villans (definatly enspirered by Bakshi's animated adaptation of "Lord of the Rings") and the stock Disney characters makes the audience care more-so for the cutesy characters than usual. This is especially true for the cutsey character of Gurgi, who is much more tollerable than almost all other Disney sidekicks and especially more tollerable than a certain J*r J*r B*nks that we have all been over exposed to lately.

So I would recommend "The Black Cauldron", it's a fun and well animated adventure film. Compleatly scary and strange for Disney to make, but still very very good for other reasons nonetheless.

Always curious about The Black Cauldron, I finally got around to it after seeing a DVD at the rental store. Despite a lot of grating elements, I ended up liking it overall.

The movie starts off on the wrong foot. The voices come across as recorded at low fidelity, and when combined with the sometimes hard-to-understand British accents, can be somewhat off-putting. Issues with voice and script become even more pronounced with characters such as Gurgi and his Gollum-esquire speech patterns. Indeed, the second time I watched the DVD I threw the English subtitles on, and not just for Gurgi.

Other problems with voicing include an exceedingly dull lead actor for Taran (he simply can't emote), and an overly chirpy female lead for Eilonwy.

Most other elements of the film proved passable if predictable in the Disney mold of plot, hero design, sidekicks, etc. Where it branches out for the better is in avoiding any and all musical interludes and along the way offering some scenarios and graphic effects that are more mature than most other Disney animated feature films (though later in the '90s the likes of The Lion King, Hunchback, and Tarzan would also tangle with mature themes).

Animation is also spectacularly mixed in quality, an odd distinction among Disney films but a distinction nonetheless. Usually solid, there are high points such as external shots of a dark castle or a visceral chase sequence. There are also low points such as unnatural shifts in hair color that overemphasize different environments, or obvious spots where animation was rushed (a rock slide sequence).

Yet for all these lows and highs, as an animation fan I ended up siding with the high points. Many sequences are inviting to re-watch, even if the entirety of the movie may not be. For all the talk of failure that continues to surround this movie, one can see in the film itself elements of a more mature Disney that could have been extremely promising with a more seasoned batch of animators and a world less hostile to PG animated fare.

1st watched 10/2/2004 - 7 out of 10(Dir- Ted Berman & Richard Rich): Well-done overlooked Disney film. This is one of the movies that came out before "Little Mermaid" in 1989 similar to "The Great Mouse Detective" that didn't get much attention but nevertheless was a well-done story & production. This may have been the first animated Disney film to be rated PG as well, which may have kept people away. The PG rating may have been given for a small blood being shown on the mouth of our hero or the very scary zombie-like "Horn King" who has to rate up there as one of the truly scary villains in the Disney films. The story revolves around the Horn King's reign and his attempt to have greater reign over the world by finding the Black Cauldron. An enchanted pig that is able to see the future is also much wanted by the Horn King in order to find out where the Black Cauldron is. What makes this movie good is the story, the animation, the music, and the overall presentation. I also like that it didn't follow other Disney films and became it's own entity. This may be another reason it's not associated with Disney often. Overall this is a very groundbreaking Disney film, but it was so forgotten that it's not had any impact on the future of Disney.

I personally really appreciate the interesting story, tone, and mood this movie conveys. Disney took some interesting chances with this film, and financially it did not pay off, I assume because Disney's audience in the '80s could not appreciate the slightly darker tone of the film, then again, if you compare this movie with the likes of The Dark Crystal or Labyrinth, this movie is mild in its creative weirdness. The story feels like a rushed epic, but in the end, the movie remains as something that, in the world of animated films, Disney never attempted again, and it is a shame.

"The Black Cauldron" provides us with "Exhibit A" of the disorganized nature of the Disney organization from the mid-1970s through the mid-80s. The company's feature films were attracting smaller and smaller audiences, and no real creative force had emerged since Walt Disney's death in 1966. By the mid- to late-70s, it was clear that new ideas needed to be tried. The phenomenal success of "Star Wars" appeared to offer a sure-fire way to box-office success: sci-fi/fantasy movies. At the same time, Disney Studio's full-length animated features continued their descent from the heights scaled in 1959's "Sleeping Beauty", at first downscaling the subject matter, then progressing to less and less impressive animation, and finally combining the first two trends with boring storytelling (see "The Fox and the Hound" - 1981).

It was in this context that pre-production began on "The Black Cauldron" in the late 1970s. From an artistic standpoint, its goals were two-fold. First, the film was to recapture the lead in animation quality that Disney had traditionally held, while the second goal was to incorporate the advances in animation and subject matter made in the 1970s (i.e., playing "catch up"). Some early decisions were good: the source material was top-notch. Lloyd Alexander's "Chronicles of Prydain" are fantastic works of fantasy for the young adult - I loved them as a middle-schooler in the mid-80s, and the choice to film the story in 70mm widescreen harkened back to the glory days of "Sleeping Beauty." Unfortunately, not much else worked. The studio's writers did a terrible job of condensing the first two books of Alexander's series, and we end up caring little for the characters that emerge, or for the plot as it unfolds. Also, the movie's tone is uneven. Overall, the work is very dark and un-Disney, which would've been fine had it been executed better. Further, the grimness of the plot doesn't mesh with occasionally clumsy and earthy attempts at humor, and the character animation fluctuates between sober naturalism and exaggerated, cartoonish mannerisms (stretching ears, gaping mouths, etc.) Still, some of the shots are stunning and rank among the best in the history of hand-drawn animation (e.g., multiplaned exterior shot of the Horned King's castle, beautiful backgrounds within the same, Hen-Wen's capture by the Horned King's creatures). The result of this mish-mash was a box-office flop ($25 million to make, $5 million in ticket sales upon its 1985 release).

In short, see this film for its often-impressive animation and intermittent charm. Be sure to get the newly-available widescreen version on DVD. Bemoan the end of the era of stunning hand-drawn animation (Disney has closed up its shop; "Home on the Range" was its penultimate hand-drawn feature). Don't expect a classic, but appreciate the vision of its artistry - even if the final product didn't quite mesh satisfactorily. "The Black Cauldron" is a noble failure.