After her father's ship is carried off by a sudden storm, the spunky Pippi Longstocking is stranded with her horse, Alfonso, and monkey, Mr. Nilsson, and takes up residence in the old ... See full summary »
The paleontologist Susan Matthews-Loomis moves with her husband, the unemployed journalist George Loomis, to the Ivory Coast to work with her former professor, Doctor Eric Kiviat, and his assistant Nigel Jenkins in an archaeological site. When George is invited to work in a newspaper in the United States, Susan discovers a bone that she believes is from a dinosaur; but Eric tells that she is wrong. However he knows that Susan has made an important discovery and wants the credits. George packs their stuff to travel but Susan wants to check her discovery and leaves a note to him telling that she will investigate further in the forest. George hires an airplane to follow her and he succeeds to find his wife. Soon they find befriend the native Cephu and his tribe. When they find a family of brontosaurus in the middle of the forest, they feed the animals and become close to their baby. Meanwhile, Eric hires mercenaries to help him to capture the brontosaurus and the militia kills the male ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Joel Goldsmith, son of Jerry Goldsmith who scored the film, did source cues (though not credited) for the film. Only portions of the pieces were used. When Intrada Records re-issued the film score on May 14, 2018, along with better tape sources for the score, the full source cues as recorded were included. See more »
(at 45:42) After Cephu saves George and Susan from being killed by Kiviat's men, George tells Susan to run. When it cuts back to Susan, you can see Baby running away into the forest in the dark background. In the next shot, Baby is still by the log and is just then turning to run away. See more »
This is an almost totally entertaining flick which never flags; not in its tongue in cheek dialogue; not in its plot sequences; not in its amazing technical achievements (for its time) in getting the dinosaurs up and running. Sure the acting is pretty much black and white with Patrick McGoohan dispensing villany on the order of Gengis Khan on a bad day and William Katt and Sean Young surmounting all obstacles with a brio and dispatch that would have Arnold panting. There is also Baby herself, consistently endearing though up to, never over, the line. But one doesn't expect a movie about dinosaurs to take time out for character development. What there is of it is in the overly graphic scene of the female dinosaur mourning her slaughtered mate, a transcendent sequence that almost rips the fabric of the piece apart. That it manages to gets back to fantasy after this is a tribute to director B.WE.L. Norton and the frenetic pace he generates throughout. If you never had a dinosaur as a pet, you may be on the lookout for one after seeing Baby.
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